26 |
|
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I |
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R |
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8 |
9 |
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5 |
6 |
|
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1 |
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6 |
|
8 |
+ |
= |
|
4+3 |
= |
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8 |
9 |
|
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14 |
15 |
|
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19 |
|
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24 |
|
26 |
+ |
= |
|
1+1+5 |
= |
|
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|
26 |
|
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I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
|
|
1 |
2 |
3 |
4 |
|
|
7 |
8 |
9 |
|
2 |
3 |
4 |
5 |
|
7 |
|
+ |
= |
|
8+3 |
= |
|
1+1 |
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
|
|
10 |
11 |
12 |
13 |
|
|
16 |
17 |
18 |
|
20 |
21 |
22 |
23 |
|
25 |
|
+ |
= |
|
2+3+6 |
= |
|
1+1 |
|
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|
26 |
|
|
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I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
+ |
= |
|
3+5+1 |
= |
|
|
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|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
+ |
= |
|
1+2+6 |
= |
|
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26 |
|
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R |
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1 |
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1 |
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1 |
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+ |
= |
|
occurs |
x |
3 |
= |
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2 |
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2 |
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2 |
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+ |
= |
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occurs |
x |
3 |
= |
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3 |
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3 |
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3 |
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+ |
= |
|
occurs |
x |
3 |
= |
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4 |
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|
4 |
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4 |
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+ |
= |
|
occurs |
x |
3 |
= |
|
1+2 |
|
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|
5 |
|
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5 |
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5 |
|
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+ |
= |
|
occurs |
x |
3 |
= |
|
1+5 |
|
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6 |
|
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6 |
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6 |
|
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+ |
= |
|
occurs |
x |
3 |
= |
|
1+8 |
|
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|
7 |
|
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7 |
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7 |
|
+ |
= |
|
occurs |
x |
3 |
= |
|
2+1 |
|
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8 |
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8 |
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8 |
+ |
= |
|
occurs |
x |
3 |
= |
|
2+4 |
|
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|
9 |
|
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|
9 |
- |
- |
- |
- |
- |
- |
- |
- |
+ |
= |
|
occurs |
x |
2 |
= |
|
1+8 |
|
26 |
|
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I |
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R |
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|
4+5 |
|
|
2+6 |
|
1+2+6 |
|
5+4 |
26 |
|
|
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I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
|
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|
26 |
|
|
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I |
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R |
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|
ATONEMENT
- |
- |
- |
- |
A |
- |
- |
- |
- |
- |
- |
- |
- |
T |
- |
- |
- |
- |
- |
- |
- |
- |
O |
- |
- |
- |
- |
- |
- |
- |
- |
N |
- |
- |
- |
- |
A |
T |
O |
N |
E |
M |
E |
N |
T |
- |
- |
- |
- |
M |
- |
- |
- |
- |
- |
- |
- |
- |
E |
- |
- |
- |
- |
- |
- |
- |
- |
N |
- |
- |
- |
- |
- |
- |
- |
- |
T |
- |
- |
- |
- |
-
...
........
THE LIGHT IS RISING NOW RISING IS THE LIGHT
-
...
.....
A |
B |
C |
D |
E |
F |
G |
H |
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
S |
T |
U |
V |
W |
X |
Y |
Z |
I |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
9 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
ME |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
I |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
= |
1+8 |
= |
1+8 |
= |
1+8 |
= |
1+8 |
= |
= |
9 |
= |
9 |
= |
9 |
= |
9 |
= |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
1 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
1 |
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1+9 |
1+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
|
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
|
|
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|
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|
1 |
6 |
|
73 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
13 |
|
175 |
49 |
|
|
|
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|
|
|
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|
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|
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|
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|
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|
|
1+9 |
|
2+4+8 |
7+7 |
|
|
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|
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|
|
|
|
1+0 |
|
1+4 |
1+4 |
|
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|
C |
|
|
1 |
|
C |
|
|
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
2 |
1 |
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
M |
|
|
3 |
1 |
M |
13 |
4 |
|
|
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|
M |
|
|
4 |
1 |
M |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
5 |
1 |
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
N |
|
|
6 |
1 |
N |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
C |
|
|
7 |
|
C |
|
|
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
8 |
1 |
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
N |
|
|
9 |
1 |
N |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
10 |
1 |
S |
|
10 |
|
|
|
|
|
|
|
|
|
|
|
C |
|
|
11 |
|
C |
|
|
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
12 |
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
13 |
1 |
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
U |
|
|
14 |
|
U |
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
15 |
1 |
S |
|
10 |
|
|
|
|
|
|
|
|
|
|
|
N |
|
|
16 |
1 |
N |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
E |
|
|
17 |
1 |
E |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
18 |
1 |
S |
|
10 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
19 |
1 |
S |
|
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
1+2 |
|
2+0 |
2+4 |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
2 |
6 |
|
73 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
4 |
|
175 |
49 |
|
|
|
|
|
|
|
|
|
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|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
2+4+8 |
7+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
1+4 |
1+4 |
|
|
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|
|
|
1 |
6 |
|
73 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
13 |
|
175 |
49 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+9 |
|
2+4+8 |
7+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
1+4 |
1+4 |
|
|
|
|
|
|
|
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|
|
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S |
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1 |
1 |
S |
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10 |
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S |
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2 |
1 |
S |
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10 |
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S |
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3 |
1 |
S |
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10 |
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S |
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4 |
1 |
S |
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10 |
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C |
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5 |
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C |
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C |
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6 |
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C |
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C |
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7 |
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C |
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U |
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8 |
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U |
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M |
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9 |
1 |
M |
13 |
4 |
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M |
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10 |
1 |
M |
13 |
4 |
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N |
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11 |
1 |
N |
14 |
5 |
|
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N |
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12 |
1 |
N |
14 |
5 |
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N |
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13 |
1 |
N |
14 |
5 |
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E |
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14 |
1 |
E |
5 |
5 |
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O |
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15 |
1 |
O |
15 |
6 |
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O |
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16 |
1 |
O |
15 |
6 |
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|
O |
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17 |
1 |
O |
15 |
6 |
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|
O |
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18 |
1 |
O |
15 |
6 |
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I |
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19 |
1 |
I |
9 |
9 |
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- |
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- |
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|
1+2 |
|
2+0 |
2+4 |
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- |
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2 |
6 |
|
73 |
28 |
|
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3 |
4 |
|
175 |
49 |
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1+0 |
|
2+4+8 |
7+7 |
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1+4 |
1+4 |
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NUMEROLOGY
Gedes and Grossett 1999
Page 7
"All numbers greater than nine can be reduced to a single digit by the process of fadic addition, for example:
12 is reduced to 3 by adding 1 and 2;
49 is reduced to 4 by adding 4 and 9 which equals 13 and subsequently adding 1 and 3 to make 4."
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H |
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1 |
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1 |
H |
8 |
8 |
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I |
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2 |
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I |
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N |
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3 |
|
1 |
N |
14 |
5 |
|
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O |
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4 |
|
1 |
O |
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S |
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5 |
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1 |
S |
19 |
10 |
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X |
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6 |
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1 |
X |
24 |
6 |
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Z |
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7 |
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1 |
Z |
26 |
8 |
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- |
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- |
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- |
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|
3+4 |
- |
|
- |
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|
1+1+5 |
5+2 |
4+3 |
- |
|
|
- |
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|
1+2 |
|
1+6 |
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- |
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- |
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- |
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H |
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1 |
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1 |
H |
8 |
8 |
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I |
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2 |
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I |
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N |
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3 |
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1 |
N |
14 |
5 |
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O |
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4 |
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1 |
O |
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S |
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5 |
|
1 |
S |
19 |
10 |
|
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X |
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|
6 |
|
1 |
X |
24 |
6 |
|
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|
Z |
|
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|
7 |
|
1 |
Z |
26 |
8 |
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
3+4 |
- |
|
- |
|
|
1+1+5 |
5+2 |
4+3 |
- |
|
|
1+2 |
1+6 |
|
|
|
|
- |
|
- |
|
|
|
|
|
- |
|
|
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|
|
LETTERS TRANSPOSED INTO NUMBERS REARRANGED IN NUMERICAL ORDER
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S |
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5 |
|
1 |
S |
19 |
10 |
|
|
|
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|
|
|
|
|
|
|
N |
|
|
|
3 |
|
1 |
N |
14 |
5 |
|
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|
O |
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|
4 |
|
1 |
O |
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|
X |
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|
|
6 |
|
1 |
X |
24 |
6 |
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|
H |
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|
|
1 |
|
1 |
H |
8 |
8 |
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|
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|
Z |
|
|
|
7 |
|
1 |
Z |
26 |
8 |
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I |
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2 |
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|
I |
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|
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|
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|
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- |
|
- |
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|
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|
|
- |
|
|
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|
|
|
|
|
|
|
|
3+4 |
- |
|
- |
|
|
1+1+5 |
5+2 |
4+3 |
- |
|
|
- |
|
|
1+2 |
|
1+6 |
|
|
|
|
- |
|
- |
|
|
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|
- |
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|
S |
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|
|
5 |
|
1 |
S |
19 |
10 |
|
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|
|
|
|
|
N |
|
|
|
3 |
|
1 |
N |
14 |
5 |
|
|
|
|
|
|
|
O |
|
|
|
4 |
|
1 |
O |
|
|
|
|
|
|
|
|
|
X |
|
|
|
6 |
|
1 |
X |
24 |
6 |
|
|
|
|
|
|
|
H |
|
|
|
1 |
|
1 |
H |
8 |
8 |
|
|
|
|
|
|
|
Z |
|
|
|
7 |
|
1 |
Z |
26 |
8 |
|
|
|
|
|
|
|
I |
|
|
|
2 |
|
|
I |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
3+4 |
- |
|
- |
|
|
1+1+5 |
5+2 |
4+3 |
- |
|
|
1+2 |
1+6 |
|
|
|
|
- |
|
- |
|
|
|
|
|
- |
|
|
|
|
|
LANGUAGE TALKING NUMBERS TALKING LANGUAGE
LETTERS AND NUMBERS AND LETTERS
WORDS OF POWER
THE
SWORD OF WORDS
KNOW THAT KNOW
|
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|
|
|
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|
S |
|
|
1 |
3 |
THE |
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
2 |
5 |
SWORD |
79 |
34 |
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
3 |
2 |
OF |
|
12 |
|
|
|
|
|
|
|
|
|
|
|
W |
|
|
4 |
|
WORDS |
79 |
34 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
Add to Reduce |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
1+3 |
|
1+5 |
First Total |
2+1+2 |
2+2+1 |
2+3 |
- |
|
|
- |
- |
|
- |
1+4 |
|
|
|
|
|
|
|
Reduce to Deduce |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
1+4 |
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
1 |
3 |
THE |
33 |
15 |
|
|
|
|
|
S |
|
|
2 |
5 |
SWORD |
79 |
34 |
|
|
|
|
|
O |
|
|
3 |
2 |
OF |
|
12 |
|
|
|
|
|
W |
|
|
4 |
|
WORDS |
79 |
34 |
|
|
|
|
|
|
|
|
|
|
Add to Reduce |
|
|
|
- |
|
|
|
|
|
1+3 |
|
1+5 |
First Total |
2+1+2 |
2+2+1 |
2+3 |
- |
- |
- |
1+4 |
|
|
|
|
|
Reduce to Deduce |
|
|
|
- |
|
|
|
|
|
|
|
|
Second Total |
1+4 |
|
|
|
- |
- |
|
|
|
|
|
|
Essence of Number |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
W |
|
|
4 |
|
WORDS |
79 |
34 |
|
|
|
|
|
- |
|
|
|
|
|
O |
|
|
3 |
2 |
OF |
|
12 |
|
|
|
|
|
|
|
|
|
|
|
P |
|
|
4 |
|
POWER |
77 |
32 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
Add to Reduce |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
1+8 |
|
1+2 |
First Total |
1+7+7 |
7+8 |
1+5 |
- |
|
|
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
Reduce to Deduce |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
1+5 |
1+5 |
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
Essence of Number |
|
|
|
- |
|
|
|
|
|
|
|
|
|
THE AGE OF FABLE
Thomas Bullfinch
1994
Page 353/4
"Pythagorus considered numbers as the essence and / principle of all things, and attributed to them a real and distinct existence; so that, in his view, they were the elements out of which the universe was constructed. How he conceived this process has never been satisfactorily explained. He traced the various forms and phenomena of the world to numbers as their basis and essence. The" Monad" or unit he regarded as the source of all numbers. The number Two was imperfect, and the cause of increase and division. Three was called the number of the whole because it had a beginning, middle, and end. Four, representing the square, is in the highest degree perfect; and Ten, as it contains the sum of the four prime numbers, comprehends all musical and arithmetical proportions, and denotes the system of the world.
As the numbers proceed from the monad, so he re-garded the pure and simple essence of the Deity as the source of all the forms of nature. Gods, demons, and heroes are emanations of the Supreme, and there is a fourth emanation, the human soul. This is immortal, and when freed from the fetters of the body passes to the habitation of the dead, where it remains till it returns to the world, to dwell in some other human or animal body, and at last, when sufficiently purified, it returns to the source from which it pro-ceeded. This doctrine of the transmigration of souls (metempsychosis), which was originally Egyptian and connected with the doctrine of reward and punishment of human actions, was the chief cause why the Pythagoreans killed no animals. Ovid represents Pythagoras addressing his disciples in these words: "Souls never die, but always on quitting one abode pass to another".
- |
SHAHR-I SOKHTA |
|
|
|
2 |
|
27 |
18 |
|
2 |
|
9 |
9 |
|
1 |
|
18 |
9 |
|
1 |
|
9 |
9 |
|
3 |
|
45 |
9 |
|
1 |
|
8 |
8 |
|
1 |
|
20 |
2 |
|
1 |
|
1 |
1 |
|
12 |
SHAHR-I SOKHTA |
|
|
|
|
-` |
1+3+7 |
5+6 |
|
3 |
SHAHR-I SOKHTA |
|
|
2 |
|
-` |
1+1 |
1+1 |
|
3 |
SHAHR-I SOKHTA |
|
|
2 |
SHAHR-I SOKHTA
BURNT CITY
- |
SHAHR-I SOKHTA |
|
|
|
5 |
|
54 |
27 |
|
1 |
|
9 |
9 |
|
6 |
|
74 |
20 |
|
12 |
SHAHR-I SOKHTA |
|
|
|
|
-` |
1+3+7 |
5+6 |
|
3 |
SHAHR-I SOKHTA |
|
|
2 |
|
-` |
1+1 |
1+1 |
|
3 |
SHAHR-I SOKHTA |
|
|
2 |
Daily Mail
Wednesday, September 9, 2015
ANSWERS TO CORRESPONDENTS
Compiled by Charles Legge
QUESTION
Where and when were dice games invented? Which are the oldest dice ever discovered?
ARCHAEOLOGISTS unearthed a backgammon style board at Shahr-i Sokhta (literally 'Burnt City'), a Bronze-Age urban settlement in the south-east of today's Iran, in Sistan province, in 2004.
The board was rectangular and made of ebony. The game was found together with 60 pieces and cubic dice dating back to at least 3,000BC. The set is housed in the National Museum of Iran.
These are thought to be the earliest surviving set but it is uncertain whether dice games originated here.
Dice or other forms of random number generation appear in many ancient texts. In India they're mentioned in the Vedas, the Buddha's teachings, and in the epic poem Mahabharata, where a high-stake dice game initiates a war.
The Old Testament contains references to casting lots, often as a form of divination. Dice games probably developed independently in multiple regions, perhap evolving from lots, casting stones and similar random number generators.
By 2,000 BC, Egyptians were using sever types of polyhedral dice in games. New York's Metropolitan Museum of Art has many, including the oldest known example of an icosahedron — a 20-sided die.
David Merchant, Weston-super-Mare
- |
ICOSAHEDRON |
|
|
|
1 |
|
9 |
9 |
|
2 |
|
18 |
9 |
|
1 |
|
19 |
1 |
|
2 |
|
9 |
9 |
|
2 |
|
9 |
9 |
|
1 |
|
18 |
9 |
|
2 |
|
29 |
11 |
|
11 |
ICOSAHEDRON |
|
|
|
|
-` |
1+1+1 |
5+7 |
|
2 |
ICOSAHEDRON |
|
|
|
|
-` |
- |
1+2 |
1+2 |
2 |
ICOSAHEDRON |
|
|
|
|
|
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14 |
5 |
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1+1 |
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11 |
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1 |
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14 |
5 |
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- |
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5+7 |
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1+1 |
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1+1+1 |
6+6 |
5+7 |
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1+0 |
1+2 |
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1+8 |
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- |
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- |
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LETTERS TRANSPOSED INTO NUMBERS REARRANGED IN NUMERICAL ORDER
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3 |
3 |
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1 |
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N |
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11 |
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1 |
N |
14 |
5 |
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O |
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3 |
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6 |
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1+1 |
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1+1+1 |
6+6 |
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1+0 |
1+2 |
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1+8 |
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1+2 |
1+2 |
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2 |
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3 |
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4 |
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7 |
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1 |
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5 |
5 |
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11 |
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1 |
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14 |
5 |
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3 |
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6 |
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- |
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- |
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5+7 |
- |
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- |
1+1 |
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1+1+1 |
6+6 |
5+7 |
- |
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- |
- |
1+0 |
1+2 |
- |
1+8 |
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- |
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- |
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- |
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1+2 |
- |
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- |
- |
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1+2 |
1+2 |
- |
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- |
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- |
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Daily Mail
Tuesday, August 25, 2015
ANSWERS TO CORRESPONDENTS
Compiled by Charles Legge
QUESTION
Are there any languages that do not use or require punctuation?
HISTORICALLY, the character-based scripts of East Asia did not use punctuation. For instance, in China punctuation was introduced only in the 20th century at the instigation of educational reformists led by the scholar Hu Shih (1891-1962).
By the time Hu Shih began his schooling, traditional Chinese education had become a rigid orthodoxy, remote from contemporary life and learning. It was based on the Confucian Classics and on a narrow interpretation of them introduced by the reigning Ch'ing (Manchu) dynasty to justify monarchical rule.
Hu Shih attended Cornell University, Ithaca, New York. After receiving his BA degree in 1914, he became a student of the philosopher John Dewey at Columbia University before returning to China in 1917 after completing his doctorate.
Despite the high hopes engendered by the Chinese Revolution of 1911, which abolished the monarchy and established a Western-style republic, Hu found a China that had not radically changed from the nation he had left seven years earlier.
He pushed for Western education reforms, and his Outline Of The History Of Chinese Philosophy (1919) became the first Chinese book to use punctuation. Its use eventually became widespread, although classical writing and poetry still do not use punctuation.
While many other character-based scripts such as Korean and Japanese followed suit, Thai did not. Indeed, the Thai language has no orthography, i.e. no sentences, no capitalisations, no spaces between words, punctuation and often little evidence of paragraphs, although occasionally a gap is introduced in the script to indicate a pause, the equivalent of a comma or full stop.
Steven Lomas, Manchester.
THE JESUS MYSTERIES
Timothy Freke & Peter Gandy
1999
Page 177
THE GOSPELS ARE ACTUALLY ANONYMOUS WORKS, IN WHICH EVERYTHING WITHOUT EXCEPTION, IS WRITTEN IN CAPITAL LETTERS, WITH NO PUNCTUATION OR SPACES BETWEEN WORDS.
G |
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3 |
GOD |
26 |
17 |
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D |
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3 |
DOG |
26 |
17 |
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E |
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5 |
EARTH |
52 |
25 |
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H |
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5 |
HEART |
52 |
25 |
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T |
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5 |
THERA |
52 |
25 |
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T |
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THERA |
52 |
25 |
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H |
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4 |
HEAR |
32 |
23 |
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R |
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4 |
RHEA |
32 |
23 |
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H |
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4 |
HERA |
32 |
23 |
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H |
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HARE |
32 |
23 |
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L |
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3 |
LIVE |
48 |
12 |
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E |
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5 |
EVIL |
48 |
12 |
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V |
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2 |
VILE |
48 |
12 |
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V |
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VEIL |
48 |
12 |
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L |
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LEVI |
48 |
12 |
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L |
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3 |
LIVED |
52 |
25 |
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D |
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5 |
DEVIL |
52 |
25 |
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3 |
SANTA |
55 |
10 |
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S |
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5 |
SATAN |
55 |
10 |
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ESOTERIC |
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I |
9 |
9 |
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SECRET |
70 |
34 |
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O |
15 |
6 |
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8 |
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94 |
49 |
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9+4 |
4+9 |
2+2 |
8 |
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13 |
13 |
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1+3 |
1+3 |
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8 |
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4 |
4 |
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ESOTERIC |
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O |
15 |
6 |
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SECRET |
70 |
34 |
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I |
9 |
9 |
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8 |
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94 |
49 |
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9+4 |
4+9 |
2+2 |
8 |
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13 |
13 |
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1+3 |
1+3 |
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8 |
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4 |
4 |
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The Upside
Down of the Downside Up
8 |
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99 |
45 |
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8 |
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94 |
40 |
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16 |
First Total |
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1+6 |
Add to Reduce |
1+9+3 |
8+5 |
1+3 |
7 |
Second Total |
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Reduce to Deduce |
1+3 |
1+3 |
- |
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Essence of Number |
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IS RA IN BOW IS IS RA IN BOW IS
IS THAT IS
In Greek mythology, Iris (/ˈaɪrɨs/; Greek: Ἶρις) is the personification of the rainbow and messenger of the gods. She is also known as one of the goddesses of the sea and the sky. Iris links the gods to humanity.
Iris (mythology) - Wikipedia, the free encyclopedia
https://en.wikipedia.org/wiki/Iris_(mythology)
Iris (mythology)
In Greek mythology, Iris (/ˈaɪrɨs/; Greek: Ἶρις)[1] is the personification of the rainbow and messenger of the gods. She is also known as one of the goddesses of the sea and the sky. Iris links the gods to humanity. She travels with the speed of wind from one end of the world to the other,[2] and into the depths of the sea and the underworld.
Iridescence - Wikipedia, the free encyclopedia
https://en.wikipedia.org/wiki/Iridescence
Iridescence (also known as goniochromism) is the property of certain surfaces that appear to change colour as the angle of view or the angle of illumination changes. Examples of iridescence include soap bubbles, butterfly wings and sea shells, as well as certain minerals.
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- |
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5+8 |
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1+1 |
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9+4 |
6+7 |
5+8 |
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2+0 |
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2+7 |
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1+3 |
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1+1 |
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1+3 |
1+3 |
1+3 |
- |
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|
|
|
|
S |
|
|
6 |
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
C |
|
|
7 |
1 |
C |
|
|
|
|
|
|
|
|
|
|
|
|
|
E |
|
|
8 |
1 |
E |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
N |
|
|
9 |
1 |
N |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
C |
|
|
10 |
1 |
C |
|
|
|
|
|
|
|
|
|
|
|
|
|
E |
|
|
11 |
1 |
E |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
5+8 |
|
1+1 |
|
9+4 |
6+7 |
5+8 |
- |
|
|
- |
|
2+0 |
|
|
|
2+7 |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
1+3 |
|
1+1 |
|
1+3 |
1+3 |
1+3 |
- |
|
|
- |
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBERS REARRANGED IN NUMERICAL ORDER
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
6 |
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
C |
|
|
7 |
1 |
C |
|
|
|
|
|
|
|
|
|
|
|
|
|
C |
|
|
10 |
1 |
C |
|
|
|
|
|
|
|
|
|
|
|
|
|
D |
|
|
4 |
1 |
D |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
E |
|
|
5 |
1 |
E |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
E |
|
|
8 |
1 |
E |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
N |
|
|
9 |
1 |
N |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
E |
|
|
11 |
1 |
E |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
1 |
|
I |
|
|
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
2 |
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
3 |
|
I |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
5+8 |
|
1+1 |
|
9+4 |
6+7 |
5+8 |
- |
|
|
- |
|
2+0 |
|
|
|
2+7 |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
1+3 |
|
1+1 |
|
1+3 |
1+3 |
1+3 |
- |
|
|
- |
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
6 |
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
C |
|
|
7 |
1 |
C |
|
|
|
|
|
|
|
|
|
C |
|
|
10 |
1 |
C |
|
|
|
|
|
|
|
|
|
D |
|
|
4 |
1 |
D |
4 |
4 |
|
|
|
|
|
|
|
E |
|
|
5 |
1 |
E |
5 |
5 |
|
|
|
|
|
|
|
E |
|
|
8 |
1 |
E |
5 |
5 |
|
|
|
|
|
|
|
N |
|
|
9 |
1 |
N |
14 |
5 |
|
|
|
|
|
|
|
E |
|
|
11 |
1 |
E |
5 |
5 |
|
|
|
|
|
|
|
I |
|
|
1 |
|
I |
|
|
|
|
|
|
|
|
|
R |
|
|
2 |
|
R |
|
|
|
|
|
|
|
|
|
I |
|
|
3 |
|
I |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
5+8 |
|
1+1 |
|
9+4 |
6+7 |
5+8 |
- |
|
- |
|
2+0 |
2+7 |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
1+3 |
|
1+1 |
|
1+3 |
1+3 |
1+3 |
- |
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
1 |
|
I |
|
|
|
R |
|
|
2 |
|
R |
|
|
|
I |
|
|
3 |
|
I |
|
|
|
D |
|
|
4 |
1 |
D+E |
9 |
9 |
|
S |
|
|
6 |
1 |
S+C+E |
27 |
18 |
|
N |
|
|
9 |
1 |
N |
14 |
5 |
|
C |
|
|
10 |
1 |
C |
|
|
|
E |
|
|
11 |
1 |
E |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
5+8 |
|
1+1 |
|
9+4 |
6+7 |
5+8 |
|
|
|
|
|
|
|
|
|
|
|
1+3 |
|
1+1 |
|
1+3 |
1+3 |
1+3 |
|
|
|
|
|
|
|
|
|
D |
= |
4 |
|
6 |
|
63 |
36 |
|
C |
= |
3 |
|
7 |
|
63 |
27 |
|
|
|
7 |
|
13 |
Add to Reduce |
|
|
|
|
|
|
|
1+3 |
Reduce to Deduce |
1+2+6 |
6+3 |
1+8 |
|
|
|
|
4 |
Essence of Number |
|
|
|
....
RE LIGHT ON LIGHT RE
W |
= |
4 |
|
5 |
|
72 |
27 |
|
R |
= |
9 |
|
9 |
|
108 |
54 |
|
|
|
13 |
|
14 |
Add to Reduce |
|
|
|
|
|
1+3 |
|
1+4 |
Reduce to Deduce |
1+8+0 |
8+1 |
1+8 |
|
|
4 |
|
4 |
Essence of Number |
|
|
|
THIS IS THE SCENE OF THE SCENE UNSEEN THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
A |
|
|
1 |
1 |
A |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
B |
|
|
2 |
1 |
B |
|
2 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
3 |
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
A |
|
|
4 |
1 |
A |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
C |
|
|
5 |
1 |
C |
|
|
|
|
|
|
|
|
|
|
|
|
|
A |
|
|
6 |
1 |
A |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
D |
|
|
7 |
1 |
D |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
A |
|
|
8 |
1 |
A |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
B |
|
|
9 |
1 |
B |
|
|
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
10 |
1 |
R |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
A |
|
|
11 |
1 |
A |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
3+4 |
|
1+1 |
|
5+2 |
3+4 |
3+4 |
- |
|
|
- |
|
|
|
|
|
1+8 |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
A |
|
|
1 |
1 |
A |
1 |
1 |
|
|
|
|
|
|
|
B |
|
|
2 |
1 |
B |
|
2 |
|
|
|
|
|
|
|
R |
|
|
3 |
|
R |
|
|
|
|
|
|
|
|
|
A |
|
|
4 |
1 |
A |
1 |
1 |
|
|
|
|
|
|
|
C |
|
|
5 |
1 |
C |
|
|
|
|
|
|
|
|
|
A |
|
|
6 |
1 |
A |
1 |
1 |
|
|
|
|
|
|
|
D |
|
|
7 |
1 |
D |
4 |
4 |
|
|
|
|
|
|
|
A |
|
|
8 |
1 |
A |
1 |
1 |
|
|
|
|
|
|
|
B |
|
|
9 |
1 |
B |
|
|
|
|
|
|
|
|
|
R |
|
|
10 |
1 |
R |
18 |
9 |
|
|
|
|
|
|
|
A |
|
|
11 |
1 |
A |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
3+4 |
|
1+1 |
|
5+2 |
3+4 |
3+4 |
- |
|
|
- |
|
1+8 |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
A |
|
|
1 |
1 |
A |
1 |
1 |
|
|
|
|
|
|
|
A |
|
|
4 |
1 |
A |
1 |
1 |
|
|
|
|
|
|
|
A |
|
|
6 |
1 |
A |
1 |
1 |
|
|
|
|
|
|
|
A |
|
|
11 |
1 |
A |
1 |
1 |
|
|
|
|
|
|
|
A |
|
|
8 |
1 |
A |
1 |
1 |
|
|
|
|
|
|
|
B |
|
|
2 |
1 |
B |
|
2 |
|
|
|
|
|
|
|
B |
|
|
9 |
1 |
B |
|
|
|
|
|
|
|
|
|
C |
|
|
5 |
1 |
C |
|
|
|
|
|
|
|
|
|
D |
|
|
7 |
1 |
D |
4 |
4 |
|
|
|
|
|
|
|
R |
|
|
3 |
|
R |
|
|
|
|
|
|
|
|
|
R |
|
|
10 |
1 |
R |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
3+4 |
|
1+1 |
|
5+2 |
3+4 |
3+4 |
- |
|
|
- |
|
1+8 |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
THE SUM OF THE FIRST NINE ODD NUMBERS IS
1+3+5+7+9+11+13+15+17 EQUALS 81
THE SUM OF THE FIRST NINE EVEN NUMBERS IS
2+4+6+8+10+12+14+16+18+ EQUALS 90
- |
- |
- |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
- |
- |
THE SUM OF THE FIRST TEN ODD NUMBERS IS
1+3+5+7+9+11+13+15+17+19 EQUALS 100
THE SUM OF THE FIRST TEN EVEN NUMBERS IS
2+4+6+8+10+12+14+16+18+20 EQUALS 110
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
N |
|
|
1 |
1 |
N |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
U |
|
|
2 |
1 |
U |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
M |
|
|
3 |
1 |
M |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
B |
|
|
4 |
1 |
B |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
E |
|
|
5 |
1 |
E |
|
5 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
6 |
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
7 |
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
2+9 |
|
|
|
9+2 |
2+9 |
2+9 |
- |
|
|
- |
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
|
|
1+1 |
1+1 |
1+1 |
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
1 |
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
B |
|
|
2 |
1 |
B |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
U |
|
|
3 |
1 |
U |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
M |
|
|
4 |
1 |
M |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
N |
|
|
5 |
1 |
N |
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
E |
|
|
6 |
1 |
E |
|
5 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
7 |
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
2+9 |
|
|
|
9+2 |
2+9 |
2+9 |
- |
|
|
- |
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
|
|
1+1 |
1+1 |
1+1 |
- |
|
|
- |
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
1 |
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
B |
|
|
2 |
1 |
B |
2 |
2 |
|
|
|
|
|
|
|
|
U |
|
|
3 |
1 |
U |
21 |
3 |
|
|
|
|
|
|
|
|
M |
|
|
4 |
1 |
M |
13 |
4 |
|
|
|
|
|
|
|
|
N |
|
|
5 |
1 |
N |
14 |
5 |
|
|
|
|
|
|
|
|
E |
|
|
6 |
1 |
E |
|
5 |
|
|
|
|
|
|
|
|
R |
|
|
7 |
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
2+9 |
|
|
|
9+2 |
2+9 |
2+9 |
- |
|
|
- |
|
1+0 |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
1+1 |
|
|
|
1+1 |
1+1 |
1+1 |
- |
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
1 |
3 |
OUT |
56 |
11 |
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
2 |
2 |
OF |
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
Z |
|
|
7 |
|
ZERO |
|
|
|
|
|
|
|
|
|
|
|
|
|
C |
|
|
3 |
6 |
COMETH |
64 |
28 |
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
4 |
3 |
ONE |
34 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Add to Reduce |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
2+9 |
|
1+8 |
First Total |
2+3+9 |
9+5 |
1+4 |
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
1+1 |
|
|
Second Total |
1+4 |
1+4 |
- |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
- |
- |
EGYPTIAN CHRONOLOGY
THE MYTHIC DYNASTIES
F. G. Fleay
1899
Page 97
"It is noticeable that the great gods (including HAR) are all of lower Egypt: PTAH of Memphis, RA of Heliopolis, ASAR, of many places but especially of Busiris; HAR his son, of Tanis and other towns;"
- |
HAR |
- |
- |
- |
2 |
H+A |
9 |
9 |
9 |
1 |
R |
18 |
9 |
9 |
3 |
|
27 |
18 |
9 |
- |
- |
2+7 |
1+8 |
- |
3 |
HAR |
9 |
9 |
9 |
http://encyclopedia.thefreedictionary.com/Ha+(god)
HA (MYTHOLOGY)
"In Egyptian mythology, HA was a god of the deserts to the west of Egypt. He was associated with the underworld, Duat.. As Lord of the Desert HA fought off enemies from the west, probably referring to invading tribes from Libya. He was also thought be responsible for the creation of oases.HA was pictured as a man, wearing the symbol for desert hills on his head. "HA" found that since he was seen as a man who fought many enemies; he also realized that his faithful followers saw that he was full of saracasm . His ability to outcast the enemy with his fury, made his faithful feel secure in their survival."
- |
HA |
- |
- |
- |
2 |
H+A |
9 |
9 |
9 |
- |
|
- |
- |
- |
- |
HIS |
- |
- |
- |
2 |
H+A |
9 |
9 |
9 |
1 |
R |
18 |
9 |
9 |
3 |
|
27 |
18 |
9 |
- |
- |
2+7 |
1+8 |
- |
3 |
HIS |
9 |
9 |
9 |
SHAMANIC WISDOM IN THE PYRAMID TEXTS
THE MYSTICAL TRADITION OF ANCIENT EGYPT
Jeremy Naydler 2005
The Sarcophagus Chamber Texts
Page 226
'the reference to the god Ha as well as Osiris suggests that the source of the king's sustenance is in the spirit world. Ha is a god associated with the western necropolis, and like Osiris is a god of the dead.'
Page 226
(1) UTTERANCE 204: THE NOURISHMENT PROVIDED BY OSIRIS
"The sequence of seven utterances begins at the south end of the sarcophagus chamber with two utterances unique to Unas's pyramid. These are utterances 204 and 205, which together assert that Unas is not hungry because his food is provided by Osiris (utt. 204) and by Ra (utt. 205). In utterance 204 the little finger of the king pulls out what is "in the navel of Osiris," a phrase that may refer to the function of Osiris as god of the fertile earth.103 Thus the hoers are said to rejoice, presumably because of the fruitfulness of the crop. But while this text may at first seem to be concerned with the provision of nourishment in this world, the reference to the god Ha as well as Osiris suggests that the source of the king's sustenance is in the spirit world. Ha is a god associated with the western necropolis, and like Osiris is a god of the dead.104 The text states that it is Ha who drives away Unas's hunger. The hunger and thirst of Unas should probably be understood as spiritual rather than physical hunger and thirst, for Unas is in the Otherworld.
UNAS A SUN A UNAS
- |
HA |
- |
- |
- |
2 |
H+A |
9 |
9 |
9 |
- |
|
- |
- |
- |
- |
HA |
- |
- |
- |
2 |
H+A |
9 |
9 |
9 |
- |
|
- |
- |
- |
HALLOWED BE THY NAME
- |
THE HOLY NAME |
- |
- |
- |
|
THE |
33 |
15 |
|
|
HOLY |
60 |
24 |
|
|
NAME |
33 |
15 |
|
11 |
THE HOLY NAME |
126 |
54 |
18 |
1+1 |
- |
1+2+6 |
5+4 |
1+8 |
2 |
THE HOLY NAME |
9 |
9 |
9 |
ALL ABOUT GOD
BIBLE CONCORDANCE
http://www.allaboutgod.com/truth-topics/hadad.htm
Hadad, Tema, Jetur, Naphish, and Kedemah.- Genesis 25;15
When Husham died, Hadad, son of Bedad became king and ruled from the city of Avith. He was the one who destroyed the Midianite army in the land of Moab. - Genesis 36:35
When Hadad died, Samlah from the city of Masrekah became king. - Genesis 36:36
When Baal-hanan died, Hadad* became king and ruled from the city of Pau. Hadad's wife was Mehetabel, the daughter of Matred and granddaughter of Me-zahab.4 - Genesis 36:39
David also destroyed the forces of Hadadezer son of Rehob, king of Zobah, when Hadadezer marched out to strengthen his control along the Euphrates River. - 2 Samuel 8:3
they were joined by additional Aramean troops summoned by Hadadezer from the other side of the Euphrates River.* These troops arrived at Helam under the command of Shobach, the commander of all Hadadezer's forces.1 - 2 Samuel 10:16
Then the LORD raised up Hadad the Edomite, a member of Edom's royal family, to be an enemy against Solomon. - 1 Kings 11:14
But Hadad and a few of his father's royal officials had fled. (Hadad was a very small child at the time.) - 1 Kings 11:17
Pharaoh grew very fond of Hadad, and he gave him a wife-the sister of Queen Tahpenes. - 1 Kings 11:19
When the news reached Hadad in Egypt that David and his commander Joab were both dead, he said to Pharaoh, "Let me return to my own country." - 1 Kings 11:21
Rezon was Israel's bitter enemy for the rest of Solomon's reign, and he made trouble, just as Hadad did. Rezon hated Israel intensely and continued to reign in Aram. - 1 Kings 11:25
Mishma, Dumah, Massa, Hadad, Tema, - 1 Chronicles 1:30
When Husham died, Hadad son of Bedad became king and ruled from the city of Avith. He was the one who destroyed the Midianite army in the land of Moab. - 1 Chronicles 1:46
When Hadad died, Samlah from the city of Masrekah became king. - 1 Chronicles 1:47
When Baal-hanan died, Hadad became king and ruled from the city of Pau.* His wife was Mehetabel, the daughter of Matred and granddaughter of Me-zahab.16 - 1 Chronicles 1:50
SOLOMON SOL MOON SOL SOLOMON
- |
HADADEZER |
- |
- |
- |
2 |
|
9 |
9 |
|
3 |
|
9 |
9 |
|
3 |
E+Z+E |
36 |
18 |
|
1 |
|
18 |
18 |
|
|
|
|
|
|
|
|
7+2 |
5+4 |
|
|
|
|
|
|
- David also destroyed the forces of Hadadezer son of Rehob, king of Zobah, when Hadadezer marched out to strengthen his control along the Euphrates River. - 2 Samuel 8:3
- they were joined by additional Aramean troops summoned by Hadadezer from the other side of the Euphrates River.* These troops arrived at Helam under the command of Shobach, the commander of all Hadadezer's forces.1 - 2 Samuel 10:16
SHAMANIC WISDOM IN THE PYRAMID TEXTS
THE MYSTICAL TRADITION OF ANCIENT EGYPT
Jeremy Naydler 2005
The Sarcophagus Chamber Texts
Page 271
Anubis, has been described as "the Egyptian shamanic deity par excellence," for it is he who not only presides over the initiatory rituals of death, dismemberment, and renewal but also provides the "celestial sledge" (shedshed) on which the king travels to the Sky.88
- |
SHED-SHED |
- |
- |
- |
2 |
|
27 |
18 |
|
2 |
|
9 |
9 |
|
2 |
S+H |
27 |
18 |
|
2 |
|
18 |
18 |
|
|
|
|
|
|
|
|
8+1 |
6+3 |
|
|
|
|
|
|
|
SO THIS ISIS |
146 |
83 |
2 |
4 |
ISIS |
56 |
38 |
2 |
6 |
SOTHIS |
90 |
45 |
9 |
10 |
OSIRIS UNAS |
144 |
45 |
9 |
1 |
A |
1 |
1 |
1 |
3 |
SUN |
54 |
18 |
9 |
5 |
HORUS |
81 |
27 |
9 |
THE SIRIUS MYSTERY
Was Earth visited by intelligent beings from a planet in the system of the Star Sirius
Robert K.G. Temple 1976
A
FAIRYTALE
ORIGINS OF THE DOGON
Page 159
It almost seems too amazing to be true, that we should have begun this book by considering a strange African tribe, then considered similar Sirius traditions in the Mediterranean stemming from ancient Egypt, and then be led back again to the African tribe whom we discover to be directly descended from the Mediterranean peoples privy to the Sirius complex!
Later, I shall mention a bit more about the Pelasgians, who lived in Arcadia and, so Herodotus informs us, were not conquered by the Dorian invaders of Greece in pre-classical times. They have been among the main continuers of the Sirius tradition as, apparently, have the people they displaced by force. But I mention them now to give more relevant information for this Libyan connection. Graves says :15 According to the Pelasgians, the goddess Athene was born beside Lake Tritonis in Libya', and: 'Plato identified Athene, patroness of Athens, with the Libyan goddess Neith . . . Neith had a temple at Sais (in Egypt), where Solon was treated well merely because he was an Athenian . . . Herodotus writes (IV, 189) : "Athene's garments and aegis were borrowed by the Greeks from the Libyan women . . ." . . . Ethiopian girls still wear this costume . . . Herodotus adds here that the loud cries of triumph, olulu, ololu, uttered in honour of Athene above (Iliad, vi. 297-300 were of Libyan origin.
Herodotus adds here that the loud cries of triumph, olulu, ololu, uttered in honour of Athene
OLULU OLOLU
63333 63633
OLULU OLOLU
"THE WORD FIRST USED FOR MAN IS LULLU"
"THE WORD FIRST USED FOR MAN IS 33333"
"THE WORD FIRST USED FOR MAN IS LULLU"
ENUMA ELISH - Babylonian Creation Myth - The continued story www.stenudd.com/myth/enumaelish/enumaelish-
The word used for man is lullu, meaning a first, primitive man. The same word is used about the savage Enkidu in the Gilgamesh epic. Since Qingu is found ...
I hereby name it Babylon, home of the great gods.
The word used in the text is written phonetically, ba-ab-i-li, contrary to tradition, maybe to allow for the etymological explanation of the name as the ‘gate of the gods’.
Then he decides to create man, to serve the gods with offerings, so that they can be at leisure. The word used for man is lullu , meaning a first, primitive man. The same word is used about the savage Enkidu in the Gilgamesh epic. Since Qingu is found guilty of the war between the gods, his blood is used to create mankind. Here, it is unclear if Marduk or Ea creates mankind. Later in the text, Ea is specified as the creator of man. Finally, the gods praise Marduk, and give him fifty names that represent different aspects of his powers and sovereignty.
The text ends with instructions on how it should be passed on from generation to generation, and the command to worship Marduk, king of the gods.
ENUMA ELISH
The Babylonian Creation Myth
"The word used for man is lullu"
LULLU 33333 LULLU
"The word used for man is lullu"
- |
- |
- |
- |
- |
LULLU |
- |
- |
- |
L |
3 |
L |
- |
1 |
L |
12 |
3 |
3 |
U |
3 |
U |
- |
1 |
U |
21 |
3 |
3 |
L |
3 |
L |
- |
1 |
L |
12 |
3 |
3 |
L |
3 |
L |
- |
1 |
L |
12 |
3 |
3 |
U |
3 |
U |
- |
1 |
U |
21 |
3 |
3 |
- |
15 |
- |
- |
6 |
LULLU |
78 |
15 |
15 |
- |
1+5 |
- |
- |
|
- |
7+8 |
1+5 |
1+5 |
- |
6 |
- |
- |
6 |
LULLU |
15 |
6 |
6 |
- |
- |
- |
- |
|
- |
1+5 |
|
|
- |
6 |
- |
- |
6 |
LULLU |
6 |
6 |
6 |
ENUMA ELISH - Babylonian Creation Myth - The continued story www.stenudd.com/myth/enumaelish/enumaelish-
The word used for man is lullu, meaning a first, primitive man. The same word is used about the savage Enkidu in the Gilgamesh epic. Since Qingu is found ...
- |
- |
- |
- |
- |
LULLU |
- |
- |
- |
L |
3 |
L |
- |
1 |
L |
12 |
3 |
3 |
U |
3 |
U |
- |
1 |
U |
21 |
3 |
3 |
L |
3 |
L |
- |
1 |
L |
12 |
3 |
3 |
L |
3 |
L |
- |
1 |
L |
12 |
3 |
3 |
U |
3 |
U |
- |
1 |
U |
21 |
3 |
3 |
- |
15 |
- |
- |
6 |
LULLU |
78 |
15 |
15 |
- |
1+5 |
- |
- |
|
- |
7+8 |
1+5 |
1+5 |
- |
6 |
- |
- |
6 |
LULLU |
15 |
6 |
6 |
- |
- |
- |
- |
|
- |
1+5 |
|
|
- |
6 |
- |
- |
6 |
LULLU |
6 |
6 |
6 |
B |
= |
2 |
- |
- |
BABYLONIA |
- |
- |
- |
- |
- |
- |
- |
2 |
B+A |
3 |
3 |
3 |
- |
- |
- |
- |
2 |
B+Y |
27 |
9 |
9 |
- |
- |
- |
- |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
- |
4 |
O+N+I+A |
39 |
21 |
3 |
B |
= |
2 |
|
9 |
|
|
|
|
|
- |
- |
- |
- |
- |
8+1 |
2+3 |
1+8 |
B |
= |
2 |
|
|
|
|
|
|
www.victorianweb.org/authors/tennyson/ulyssestext.html
Tho' much is taken, much abides; and though
We are not now that strength which in old days
Moved earth and heaven; that which we are, we are;
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.
Ulysses
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
T |
|
2 |
- |
2 |
TO |
35 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
1 |
- |
6 |
STRIVE |
93 |
30 |
3 |
|
|
|
|
3 |
|
|
|
|
|
|
T |
|
2 |
- |
2 |
TO |
35 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
1 |
- |
4 |
SEEK |
40 |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
T |
|
2 |
- |
2 |
TO |
35 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
F |
|
6 |
- |
4 |
FIND |
33 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
A |
|
1 |
- |
3 |
AND |
19 |
10 |
1 |
|
|
1 |
|
|
|
|
|
|
|
|
N |
|
5 |
- |
3 |
NOT |
49 |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
T |
|
2 |
- |
2 |
TO |
35 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
Y |
|
7 |
|
5 |
YIELD |
55 |
28 |
1 |
|
|
1 |
|
|
|
|
|
|
|
|
|
|
29 |
- |
33 |
- |
429 |
150 |
51 |
6 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3+2 |
- |
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
2+9 |
- |
3+3 |
Add to Reduce |
4+2+9 |
1+5+0 |
5+1 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
Second Total |
|
|
|
- |
- |
|
|
|
|
|
|
|
|
9 |
- |
- |
1+1 |
- |
- |
Reduce to Deduce |
1+5 |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
ENNEAD |
- |
- |
- |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
|
N |
|
|
|
- |
- |
- |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
|
E |
|
|
|
- |
- |
- |
- |
2 |
A+D |
5 |
5 |
5 |
|
|
|
- |
6 |
ENNEAD |
|
|
|
- |
- |
- |
- |
- |
- |
4+3 |
2+5 |
2+5 |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
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3 |
THE |
33 |
15 |
6 |
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ENNEA |
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- |
- |
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- |
- |
- |
- |
- |
- |
7+2 |
3+6 |
- |
- |
- |
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- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
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- |
5 |
TRIAD |
52 |
25 |
7 |
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- |
2 |
OF |
21 |
12 |
3 |
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TRIADS |
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- |
- |
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- |
- |
1+0 |
- |
1+3 |
- |
1+4+4 |
6+3 |
1+8 |
- |
- |
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THRICE TO THINE AND THRICE TO MINE AND THRICE AGAIN TO MAKE UP NINE
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- |
- |
THREES |
- |
- |
- |
- |
- |
- |
- |
1 |
T |
20 |
2 |
2 |
- |
- |
- |
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H |
8 |
8 |
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18 |
9 |
9 |
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- |
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1 |
E |
5 |
5 |
5 |
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1 |
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5 |
5 |
5 |
- |
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- |
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1 |
S |
19 |
10 |
1 |
|
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THREES |
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- |
- |
- |
- |
- |
- |
7+5 |
3+9 |
3+0 |
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- |
- |
- |
- |
- |
- |
1+2 |
1+2 |
- |
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THREES = 75 = THREES
THREES = 39 = THREES
THREES = 12 = THREES
THREES = 3 = THREES
Origin of the name Theresa:
Of uncertain etymology, Teresa is generally believed to be derived from the Greek therizein (to reap, to gather in) and thus takes the definition of “harvester.” The first known bearer of the name was the Spanish wife of St. Paulinus, a 5th century Roman bishop of Nola.
THERESA = 76 = THERESA
THERESA = 31 = THERESA
THERESA = 4 = THERESA
THERESA GREEN THERESA
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15 |
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THREE |
56 |
29 |
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49 |
31 |
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5 |
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67 |
31 |
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15 |
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172 |
91 |
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1+1 |
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1+5 |
1 |
1+7+2 |
9+1 |
1+0 |
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2 |
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10 |
10 |
1 |
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1+0 |
1+0 |
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2 |
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54 |
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1 |
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2 |
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5 |
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19 |
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22 |
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67 |
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35 |
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27 |
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3+5 |
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91 |
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35 |
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15 |
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126 |
54 |
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82 |
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91 |
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3 |
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35 |
6 |
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27 |
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8+2 |
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1+6 |
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1+7+2 |
9+1 |
8+2 |
|
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3+5 |
|
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2+7 |
- |
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10 |
- |
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10 |
10 |
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15 |
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9 |
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82 |
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16 |
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172 |
91 |
82 |
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35 |
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27 |
- |
- |
8+2 |
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1+6 |
1 |
1+7+2 |
9+1 |
8+2 |
|
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|
3+5 |
|
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2+7 |
- |
- |
10 |
- |
|
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10 |
10 |
10 |
|
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9 |
- |
- |
1+0 |
- |
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1 |
1+0 |
1+0 |
1+0 |
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- |
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1 |
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1 |
1 |
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EHT NAMUH 1977
THE
FIELD
THE QUEST FOR THE SECRET FORCE OF THE UNIVERSE
Lynne McTaggart 2001
LIGHT IN THE DARKNESS
Page III
"Physics may be about to face a revolution similar to that which occurred just a century ago. . .
Arthur C. Clarke, 'When Will the Real Space Age Begin?'
If an angel was to tell us about his philosophy. . .
many of his statements might well sound like 2x2 = 13"
Georg Christophe Lichtenburg, Aphorisms
Page 13 "Subatomic particles had no meaning as isolated entities but could only be understood in their realationships. The world at its most basic, existed as a complex web of interdependant relationships, forever indivisible"
Daily Mail, Friday, October 2, 2015
ANSWERS TO CORRESPONDENTS
Compiled by Charles Legge
Page 66
QUESTION Lit (3 letters) is a synonym of illuminated (11 letters).
Which two synonyms have the greatest letter difference?
HERE are a number of three letter words with long synonyms: And—furthermore (11 letters); awe — astonishment (12 letters); bad — unsatisfactory (14 letters); end termination (11 letters); old — antediluvian
(12 letters), superannuated (13 letters). Shy — apprehensive (12 letters); few inconsiderable (14 letters); gob — agglomeration (13 letters) ire — displeasure (11 letters), exasperation (12 letters); irk inconvenience (13 letters); now — immediately (11 letters), straightaway (12 letters). Rim — circumference (13 letters); sad — pessimistic (11 letters), heartbroken (11 letters), disconsolate (12 letters); set — predetermined (13 letters); yes affirmative (11 letters).
However the winner in this category has to be lie — deceptiveness (13 letters), disinformation (14 letters) and misrepresentation (17 letters).
From the other end of the spectrum the longest non-technical word in major dictionaries is the 29-letter long floccinaucinihilipilification, 'meaning act or habit of estimating as worthless'
A synonym for this could (at a stretch) be disrespect (ten letters) a difference of 19 letters.
In 2012, Conservative MP Jacob Rees-Mogg impressed the House of Commons by using the word in a debate on Europe. He said its use had helped highlight alleged corruption among judges in the European Court of Justice in Luxembourg. In a subsequent interview, Rees-Mogg told the BBC's Andrew Neil that it 'came to mind as it does from time to time'.
It is now the longest word in Hansard. The eloquent Rees-Mogg ended the interview by saying: 'You can indulge in the floccinaucmihilipilification of the antidisestablishmentarianists if you wish — but that might be showing off'.
Lionel Childe, Banbury, Oxon.
WOW!
'You can indulge in the floccinaucmihilipilification of the antidisestablishmentarianists if you wish'
FLOCCINAUCINIHILIPILIFICATION
63633951339598939793969312965
FLOCCINAUCINIHILIPILIFICATION
'You can indulge in the floccinaucmihilipilification of the antidisestablishmentarianists if you wish — but that might be showing off'.
ANTIDISESTABLISHMENTARIANISTS
15294915121239184552199159121
ANTIDISESTABLISHMENTARIANISTS
8 |
CALCULUS |
- |
- |
- |
|
C |
3 |
3 |
|
1 |
A |
1 |
1 |
|
1 |
L |
12 |
3 |
|
1 |
C |
3 |
3 |
|
1 |
U |
21 |
3 |
3 |
|
L |
12 |
3 |
|
|
U |
21 |
3 |
|
|
S |
19 |
10 |
|
8 |
CALCULUS |
92 |
29 |
20 |
- |
- |
9+2 |
2+9 |
2+0 |
8 |
CALCULUS |
11 |
11 |
2 |
- |
- |
1+1 |
1+1 |
- |
5 |
CALCULUS |
2 |
2 |
2 |
10 |
CALCULATES |
97 |
34 |
7 |
7 |
NUMBERS |
92 |
38 |
2 |
17 |
First Total |
189 |
72 |
9 |
1+7 |
Add to Reduce |
1+8=9 |
7+2 |
- |
8 |
Second Total |
18 |
9 |
9 |
- |
Reduce to Deduce |
1+8 |
- |
- |
8 |
Essence of Number |
9 |
9 |
9 |
HOLY BIBLE
Scfield Reference
HOSEA
Page 922
C2 V 16
AND IT SHALL BE AT THAT DAY SAITH THE LORD THAT THOU SHALL CALL
ME
ISHI
AND SHALT CALL ME NO MORE BAALI
|
|
|
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1 |
|
9 |
9 |
|
2 |
|
27 |
9 |
|
1 |
|
9 |
9 |
|
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|
|
|
|
3+6 |
1+8 |
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|
RISHI 9 9 IHSIR
O |
= |
6 |
- |
6 |
OSIRIS |
89 |
35 |
8 |
I |
= |
9 |
- |
4 |
ISIS |
56 |
20 |
2 |
S |
= |
1 |
|
6 |
SIRIUS |
95 |
32 |
5 |
- |
- |
16 |
- |
16 |
First Total |
|
87 |
|
- |
- |
1+6 |
- |
1+6 |
Add to Reduce |
2+4+0 |
8+7 |
1+5 |
|
|
7 |
|
7 |
Second Total |
6 |
15 |
6 |
- |
- |
- |
- |
- |
Reduce to Deduce |
- |
1+5 |
- |
- |
- |
|
- |
|
Essence of Number |
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2 |
6 |
|
89 |
53 |
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3 |
4 |
|
56 |
38 |
|
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|
|
|
|
|
|
|
1 |
4 |
6 |
SIRIUS |
95 |
50 |
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|
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|
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|
|
1+6 |
|
1+6 |
|
4+0+5 |
1+4+1 |
1+5 |
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|
O |
|
|
1 |
1 |
O |
15 |
6 |
|
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|
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|
|
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|
S |
|
|
2 |
1 |
S |
19 |
10 |
|
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|
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|
I |
|
|
3 |
1 |
I |
9 |
9 |
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R |
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|
4 |
|
R |
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I |
|
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5 |
1 |
I |
9 |
9 |
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S |
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|
6 |
1 |
S |
|
10 |
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I |
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|
7 |
1 |
I |
9 |
9 |
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|
S |
|
|
8 |
1 |
S |
19 |
10 |
|
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|
I |
|
|
9 |
1 |
I |
9 |
9 |
|
|
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|
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|
|
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|
|
|
S |
|
|
10 |
1 |
S |
19 |
10 |
|
|
|
|
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|
|
|
|
|
|
S |
|
|
11 |
1 |
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
12 |
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
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|
R |
|
|
13 |
|
R |
|
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|
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|
I |
|
|
14 |
1 |
I |
9 |
9 |
|
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|
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|
U |
|
|
15 |
|
U |
|
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|
S |
|
|
16 |
1 |
S |
|
10 |
|
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|
|
|
|
|
|
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|
87 |
|
16 |
|
240 |
141 |
87 |
|
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|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
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|
7+2 |
|
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|
- |
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2 |
6 |
|
89 |
53 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
4 |
|
56 |
38 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
4 |
6 |
SIRIUS |
95 |
50 |
|
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|
1+6 |
|
1+6 |
|
2+4+0 |
1+4+1 |
1+5 |
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2 |
6 |
|
89 |
53 |
|
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|
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|
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|
|
|
|
3 |
4 |
|
56 |
38 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
4 |
6 |
SIRIUS |
95 |
50 |
|
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|
1+6 |
|
1+6 |
|
4+0+5 |
1+4+1 |
1+5 |
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S |
|
|
2 |
1 |
S |
19 |
10 |
|
|
|
|
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|
|
|
|
|
|
S |
|
|
6 |
1 |
S |
|
10 |
|
|
|
|
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|
|
|
|
|
|
S |
|
|
8 |
1 |
S |
19 |
10 |
|
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|
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|
|
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|
|
|
S |
|
|
10 |
1 |
S |
19 |
10 |
|
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|
|
|
|
S |
|
|
11 |
1 |
S |
19 |
10 |
|
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|
|
S |
|
|
16 |
1 |
S |
|
10 |
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|
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|
U |
|
|
15 |
|
U |
|
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|
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|
|
|
|
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|
O |
|
|
1 |
1 |
O |
15 |
6 |
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|
I |
|
|
3 |
1 |
I |
9 |
9 |
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|
R |
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|
4 |
|
R |
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I |
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|
5 |
1 |
I |
9 |
9 |
|
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|
|
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|
I |
|
|
7 |
1 |
I |
9 |
9 |
|
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|
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|
I |
|
|
9 |
1 |
I |
9 |
9 |
|
|
|
|
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|
|
|
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|
|
I |
|
|
12 |
1 |
I |
9 |
9 |
|
|
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|
|
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|
R |
|
|
13 |
|
R |
|
|
|
|
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|
|
|
|
|
|
|
I |
|
|
14 |
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
87 |
|
16 |
|
240 |
141 |
87 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7+2 |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
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|
|
|
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|
|
|
|
2 |
6 |
|
89 |
53 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
4 |
|
56 |
38 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
4 |
6 |
SIRIUS |
95 |
50 |
|
|
|
|
|
|
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|
|
|
|
|
|
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|
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|
|
|
|
|
|
|
|
|
|
1+6 |
|
1+6 |
|
2+4+0 |
1+4+1 |
1+5 |
|
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|
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|
|
|
2 |
6 |
|
89 |
53 |
|
|
|
|
|
|
|
|
|
3 |
4 |
|
56 |
38 |
|
|
|
|
|
|
|
|
1 |
4 |
6 |
SIRIUS |
95 |
50 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+6 |
|
1+6 |
|
4+0+5 |
1+4+1 |
1+5 |
|
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S |
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2 |
1 |
S |
19 |
10 |
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|
S |
|
|
6 |
1 |
S |
|
10 |
|
|
|
|
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|
S |
|
|
8 |
1 |
S |
19 |
10 |
|
|
|
|
|
|
S |
|
|
10 |
1 |
S |
19 |
10 |
|
|
|
|
|
|
S |
|
|
11 |
1 |
S |
19 |
10 |
|
|
|
|
|
|
S |
|
|
16 |
1 |
S |
|
10 |
|
|
|
|
|
|
U |
|
|
15 |
|
U |
|
|
|
|
|
|
|
|
O |
|
|
1 |
1 |
O |
15 |
6 |
|
|
|
|
|
|
I |
|
|
3 |
1 |
I |
9 |
9 |
|
|
|
|
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|
R |
|
|
4 |
|
R |
|
|
|
|
|
|
|
|
I |
|
|
5 |
1 |
I |
9 |
9 |
|
|
|
|
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|
I |
|
|
7 |
1 |
I |
9 |
9 |
|
|
|
|
|
|
I |
|
|
9 |
1 |
I |
9 |
9 |
|
|
|
|
|
|
I |
|
|
12 |
1 |
I |
9 |
9 |
|
|
|
|
|
|
R |
|
|
13 |
|
R |
|
|
|
|
|
|
|
|
I |
|
|
14 |
1 |
I |
9 |
9 |
|
|
|
|
|
|
|
|
87 |
|
16 |
|
240 |
141 |
87 |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
7+2 |
|
|
|
- |
|
|
|
|
|
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|
|
|
|
|
|
2 |
6 |
|
89 |
53 |
|
|
|
|
|
|
|
|
|
3 |
4 |
|
56 |
38 |
|
|
|
|
|
|
|
|
1 |
4 |
6 |
SIRIUS |
95 |
50 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+6 |
|
1+6 |
|
2+4+0 |
1+4+1 |
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
T |
= |
2 |
- |
4 |
THAT |
49 |
13 |
4 |
A |
= |
1 |
- |
2 |
AM |
14 |
5 |
5 |
T |
= |
2 |
- |
4 |
THAT |
49 |
13 |
4 |
T |
= |
2 |
- |
4 |
TIME |
47 |
20 |
2 |
E |
= |
7 |
- |
5 |
EMITS |
66 |
21 |
3 |
- |
- |
23 |
|
20 |
Add to Reduce |
|
|
|
- |
- |
2+3 |
- |
2+0 |
Reduce to Deduce |
2+3+4 |
8+1 |
2+7 |
- |
- |
5 |
- |
|
Essence of Number |
|
|
|
EGYPTIAN CHRONOLOGY
THE MYTHIC DYNASTIES
F. G. Fleay
1899
Page 93
GODS MEMPHITE SCHEME
"PTAH reigned for 9000 months"
- |
PTAH |
- |
- |
- |
2 |
P+T |
36 |
9 |
9 |
2 |
H+A |
9 |
9 |
9 |
4 |
|
45 |
18 |
18 |
- |
- |
2+7 |
1+8 |
1+8 |
4 |
PTAH |
9 |
9 |
9 |
THE PATH OF PTAH
THE SIRIUS MYSTERY
Was Earth visited by intelligent beings from a planet in the system of the Star Sirius
Robert K.G. Temple 1976
Page 133
"Phoebus Apollo"
PHOEBUS APOLLO
7865231 176336
PHOEBUS APOLLO
11233356677
THE SIRIUS MYSTERY
Robert K.G. Temple 1976
A
FAIRYTALE
Page 73
"Mead quotes an Egyptian magic papyrus, this being an uncontested Egyptian document which he compares to a passage in the Trismegistic literature: 'I invoke thee, Lady Isis, with whom the Good Daimon doth unite, He who is Lord in the perfect black. '37
We know that Isis is identified with Sirius A, and here we may have a / Page 74 / description of her star-companion 'who is Lord in the perfect black', namely the invisible companion with whom she is united, Sirius B.
Mead, of course, had no inkling of the Sirius question. But he cited this magic papyrus in order to shed comparative light on some extraordinary passages in a Trismegistic treatise he translated which has the title 'The Virgin of the World'. In his comments on the magic papyrus Mead says: 'It is natural to make the Agathodaimon ("the Good Daimon") of the Papyrus refer to Osiris; for indeed it is one of his most frequent designations. Moreover, it is precisely Osiris who is pre-eminently connected with the so-called "underworld", the unseen world, the "mysterious dark". He is lord there. . . and indeed one of the ancient mystery-sayings was precisely, "Osiris is a dark God." ,
'The Virgin of the World' is an extraordinary Trismegistic treatise in the form of a dialogue between the hierophant (high priest) as spokesman for Isis and the neophyte who represents Horus. Thus the priest instructing the initiate is portrayed as Isis instructing her son Horus.
The treatise begins by claiming it is 'her holiest discourse' which 'so speaking Isis doth pour forth'. There is, throughout, a strong emphasis on the hierarchical principle of lower and higher beings in the universe - that earthly mortals are presided over at intervals by other, higher, beings who interfere in Earth's affairs when things here become hopeless, etc. Isis says in the treatise: 'It needs must, therefore, be the less should give place to the greater mysteries.' What she is to disclose to Horus is a great mystery. Mead describes it as the mystery practised by the arch-hierophant. It was the degree (here 'degree' is in the sense of 'degree' in the Masonic 'mysteries', which are hopelessly garbled and watered-down versions of genuine mysteries of earlier times) 'called the "Dark Mystery" or "Black Rite". It was a rite performed only for those who were judged worthy of it after long probation in lower degrees, something of a far more sacred character, apparently, than the instruction in the mysteries enacted in the light.'
Mead adds: 'I would suggest, therefore, that we have here a reference to the most esoteric institution of the Isiac tradition. . .', Isiac meaning of course 'Isis-tradition', and not to be confused with the Book of Isaiah in the Bible (so that perhaps it is best for us not to use the word-form 'Isiac').
It is in attempting to explain the mysterious 'Black Rite' of Isis at the highest degree of the Egyptian mysteries that Mead cited the magic papyrus which I have already quoted. He explains the 'Black Rite' as being connected with Osiris being a 'dark god' who is 'Lord of the perfect black' which is 'the unseen world, the mysterious black'.
This treatise 'The Virgin of the World' describes a personage called Hermes who seems to represent a race of beings who taught earthly mankind the arts of civilization after which: 'And thus, with charge unto his kinsmen of the Gods to keep sure watch, he mounted to the Stars'.
According to this treatise mankind have been a troublesome lot requiring scrutiny and, at rare intervals of crisis, intervention.
After Hermes left Earth to return to the stars there was or were in Egypt someone or some people designated as 'Tat' (Thoth) who were initiates into the celestial mysteries."
Page 77
"Bearing these books in mind (and I am sure they are there waiting underground like a time bomb for us), it is interesting to read this passage in 'TheVirgin of the World' following shortly upon that previously quoted:
The sacred symbols of the cosmic elements were hid away hard by the secrets of Osiris. Hermes, ere he returned to Heaven, invoked a spell on them, and spake these words: . . . 'O holy books, who have been made by my immortal hands, by incorruption's magic spells. . . (at this point there is a lacuna as the text is hopeless) . . . free from decay throughout eternity remain and incorrupt from time! Become unseeable, unfindable, for every one whose foot shall tread the plains of this land, until old Heaven doth bring forth meet instruments for you, whom the Creator shall call souls.'
Thus spake he; and, laying spells on them by means of his own works, he shut them safe away in their own zones. And long enough the time has been since they were hid away.
In the treatise the highest objective of ignorant men searching for the truth is described as: '(Men) will seek out. . . the inner nature of the holy spaces which no foot may tread, and will chase after them into the height, desiring to observe the nature of the motion of the Heaven.
'These are as yet moderate things. For nothing more remains than Earth's remotest realms; nay, in their daring they will track out Night, the farthest Night of all.'..."
Page 79
SUMMARY
Sirius was the most important star in the sky to the ancient Egyptians. The ancient Egyptian calendar was based on the rising of Sirius. It is established for certain that Sirius was sometimes identified by the ancient Egyptians with their chief goddess Isis.
The companion of Isis was Osiris, the chief Egyptian god. The 'companion' of the constellation of the Great Dog (which includes Sirius) was the constellation of Orion. Since Isis is equated with Sirius, the companion of Isis must be equated, equally, with the companion of Sirius. Osiris is thus equated on occasion with the constellation Orion.
We know that the 'companion of Sirius' is in reality Sirius B. It is conceivable that Osiris-as-Orion, 'the companion of Sirius', is a stand-in for the invisible true companion Sirius B.
`The oldest and simplest form of the name' of Osiris, we are told, is a hieroglyph of a throne and an eye. The 'eye' aspect of Osiris is thus fundamental. The Bozo tribe of Mali, related to the Dogon, call Sirius B 'the eye star'. Since Osiris is represented by an eye and is sometimes considered 'the companion of Sirius', this is equivalent to saying that Osiris is 'the eye star', provided only that one grants the premises that the existence of Sirius B really was known to the ancient Egyptians and that 'the companion of Sirius' therefore could ultimately refer to it.
The meanings of the Egyptian hieroglyphs and names for Isis and Osiris were unknown to the earliest dynastic Egyptians themselves, and the names and signs appear to have a pre-dynastic origin - which means around or before 320o B.c., in other words 5,000 years ago at least. There has been no living traditional explanation for the meanings of the names and signs for Isis and Osiris since at least 280o B.c. at the very latest.
`The Dog Star' is a common designation of Sirius throughout known history. The ancient god Anubis was a 'dog god', that is, he had a man's body and a dog's head.
In discussing Egyptian beliefs, Plutarch says that Anubis was really the son of Nephthys, sister to Isis, although he was said to be the son of Isis. Nephthys was 'invisible'. Isis was 'visible'. (In other words, the visible mother was the stand-in for the invisible mother, who was the true mother, for the simple reason that the invisible mother could not be perceived.)
Plutarch said that Anubis was a 'horizontal circle, which divides the invisible part . . . which they call Nephthys, from the visible, to which they give the name Isis; and as this circle equally touches upon the confines of both light and darkness, it may be looked upon as common to them both.
I |
= |
9 |
- |
4 |
ISIS |
56 |
38 |
2 |
L |
= |
3 |
- |
5 |
LIGHT |
56 |
29 |
2 |
D |
= |
4 |
- |
4 |
DARK |
34 |
16 |
7 |
N |
= |
5 |
- |
7 |
NEPHTHYS |
115 |
52 |
7 |
- |
- |
21 |
|
20 |
Add to Reduce |
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- |
- |
2+1 |
- |
2+0 |
Reduce to Deduce |
2+6+1 |
1+3+5 |
1+8 |
- |
- |
3 |
- |
|
Essence of Number |
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|
THE SIRIUS MYSTERY
Robert K.G. Temple 1976
Page 68
Enlil and Anu were pictured as the wild ass and the jackal, respectively'. 21 Anu is represented by the jackal. Well, of course, the jackal is the symbol (interchangeable with the dog) of the Egyptian Anpu (Anubis) !
I shall explain later why I consider Anu to be related to the Sirius question, apart from this obvious parallel. At the moment I shall deal with further related parallels which I consider amazing. Anu is the king of some attendant deities called the Anunnaki. We shall shortly see why they are so involved in the Sirius question. But note the recurrence in Sumer of 'Ann' in both Anu and the Anunnaki, and in Egypt with both Anpu (Anubis) and Anukis. In all these cases Sirius is involved. Even the jackal or dog is common as a symbol to the 'Ann' in both countries. There are other parallels, but we shall come to them in due course.
In Sumerian the word an means 'heaven' and Anu is the god of heaven. Wallis Budge says" that the Egyptian god Nu was often identified with Nut, which is 'heaven'.
Significantly, he expressly states:23
It is surprising therefore to find so much similarity existing between the primeval gods of Sumer and those of Egypt, especially as the resemblance cannot be the result of borrowing. It is out of the question to assume that Ashur-banipal's editors borrowed the system from Egypt, or that the literary men of the time of Seti I borrowed their ideas from the literati of Babylonia or Assyria, and we are therefore driven to the conclusion that both the Sumerians and the early Egyptians derived their primeval gods from some common but exceedingly ancient source. The similarity between the two companies of gods seems to be too close to be accidental . . . it is certain that the company of primeval gods . . . was quite different from . . . those which formed in Babylonia and Assyria when these countries were inhabited by Semitic populations.
I had come to all these conclusions myself before seeing this passage by Wallis Budge.
But to return to Anu. Osiris is sometimes known as An.24 In a hymn to Osiris25 he is called the 'god An of millions of years . . .' and also 'An in An-tes, Great One, fieru-khuti, thou stridest over heaven with long strides'. Therefore this designation as An is specifically connected with heaven and the long strides mean heavenly motion.
In considering An and Anu we must look again at Anubis. But as we do so we shall take a glance at the Sanskrit. Recall that Anubis in Plutarch's account seemed to refer specifically to the orbit of Sirius B. In Sanskrit the word at* means 'ellipse', and the word anu means 'minute, atomic, "the subtle one", an atom of matter' and arziman means 'minuteness, atomic nature, the smallest particle, the superhuman power of becoming as small as an atom'. The first word could describe an orbit. Since Kepler, we have known that our planets move in elliptical orbits rather than circular ones, and the orbit of Sirius B is that of an ellipse. As for the next two forms anu and (*man, they seem to have meanings perilously peripheral to an account of that level of matter (the atomic) where the nature of Sirius B is manifested. We shall see much later in the book that other similarities exist between certain Sanskrit terms relevant to the Sirius
Anus - Uncyclopedia, the content-free encyclopedia
uncyclopedia.wikia.com/wiki/Anus
Anus is the Greek name for the ancient Jack-headed god of the dead in Egyptian mythology whose hieroglyphic is more accurately spelled Anubis. Prayers to ...
ANUS A SUN IS IS A SUN ANUS
Anu - Wikipedia, the free encyclopedia
https://en.wikipedia.org/wiki/Anu
In Sumerian mythology, Anu (also An; from Sumerian An, "sky, heaven") was a sky-god, the god of heaven, lord of constellations, king of gods, spirits and ...
Sumerian religion - Assyro-Babylonian religion -
ANU 153 ANU
153 ANU 153
ANU 9 ANU
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1 |
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U |
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3 |
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3 |
ANU |
36 |
9 |
9 |
- |
- |
3+6 |
- |
- |
3 |
ANU |
9 |
9 |
9 |
ANU153 ANU
153 ANU 153
ANU 9 ANU
Anu Mesopotamian god
Ancient Mesopotamian Gods and Goddesses - An/Anu (god)
oracc.museum.upenn.edu/amgg/listofdeities/an/
Mesopotamian sky-god, one of the supreme deities; known as An in Sumerian and Anu in Akkadian. A stele of the Assyrian king Šamši-Adad V (c.815 BCE), ...
ANU153 ANU
153 ANU 153
ANU 9 ANU
3 |
ANU |
- |
- |
- |
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A |
1 |
1 |
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N |
14 |
5 |
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U |
21 |
3 |
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3 |
ANU |
36 |
9 |
9 |
- |
- |
3+6 |
- |
- |
3 |
ANU |
9 |
9 |
9 |
Anu | Mesopotamian god | Britannica.com
www.britannica.com/topic/Anu
Anu, (Akkadian), Sumerian An, Mesopotamian sky god and a member of the triad of deities completed by Enlil and Ea (Enki). Like most sky gods, Anu, although ...
Alternative title: An
Anu, (Akkadian), Sumerian An, Mesopotamian sky god and a member of the triad of deities completed by Enlil and Ea (Enki). Like most sky gods, Anu, although theoretically the highest god, played only a small role in the mythology, hymns, and cults of Mesopotamia. He was the father not only of all the gods but also of evil spirits and demons, most prominently the demoness Lamashtu, who preyed on infants. Anu was also the god of kings and of the yearly calendar. He was typically depicted in a headdress with horns, a sign of strength.
His Sumerian counterpart, An, dates from the oldest Sumerian period, at least 3000 bc. Originally he seems to have been envisaged as a great bull, a form later disassociated from the god as a separate mythological entity, the Bull of Heaven, which was owned by An. His holy city was Uruk (Erech), in the southern herding region, and the bovine imagery suggests that he belonged originally to the herders’ pantheon. In Akkadian myth Anu was assigned a consort, Antum (Antu), but she seems often to have been confused with Ishtar (Inanna), the celebrated goddess of love
NU153 ANU
153 ANU 153
ANU 9 ANU
In Akkadian myth Anu was assigned a consort, Antum
5 |
ANTUM |
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1 |
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5 |
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T |
20 |
2 |
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U |
21 |
3 |
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M |
13 |
4 |
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5 |
ANTUM |
69 |
15 |
15 |
- |
- |
6+9 |
1+5 |
1+5 |
5 |
ANTUM |
15 |
6 |
6 |
- |
- |
1+5 |
- |
- |
5 |
ANTUM |
6 |
6 |
6 |
5 |
ANTUM |
- |
- |
- |
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A |
1 |
1 |
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T |
20 |
2 |
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U |
21 |
3 |
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M |
13 |
4 |
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- |
- |
- |
- |
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N |
14 |
5 |
|
5 |
ANTUM |
69 |
15 |
15 |
- |
- |
6+9 |
1+5 |
1+5 |
5 |
ANTUM |
15 |
6 |
6 |
- |
- |
1+5 |
- |
- |
5 |
ANTUM |
6 |
6 |
6 |
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ATUM |
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- |
- |
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1 |
1 |
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20 |
2 |
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U |
21 |
3 |
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M |
13 |
4 |
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4 |
ATUM |
55 |
10 |
10 |
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- |
- |
5+5 |
1+0 |
1+0 |
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4 |
ATUM |
10 |
1 |
1 |
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- |
- |
1+0 |
- |
- |
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4 |
ATUM |
1 |
1 |
1 |
THE RISE AND FALL OF ANCIENT EGYPT
The History of a Civilisation from 3000 BC to Cleopatra
Toby Wilkinson 2010
Page 30
DIVINE RIGHT (5000-2175 BC
In total, Atum and his immediate descendants numbered nine deities, three times three expressing the the ancient Egyptian concept of completeness.
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U |
21 |
3 |
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M |
13 |
4 |
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4 |
ATUM |
55 |
10 |
10 |
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- |
- |
5+5 |
1+0 |
1+0 |
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4 |
ATUM |
10 |
1 |
1 |
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- |
- |
1+0 |
- |
- |
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4 |
ATUM |
1 |
1 |
1 |
THE HERMETICA
THE LOST WISDOM OF THE PHARAOHS
Timothy Freke & Peter Gandy
To the Memory of Giordano Bruno 1548 - 1600
Mundus Nihil Pulcherrimum
The World is a Beautiful Nothing
Page 23
"Although we have used the familiar term 'God' in the explanatory notes which accompany each chapter, we have avoided this term in the text itself. Instead we have used 'Atum - one of the ancient Egyptian names for the Supreme One God."
Page 45
The Being of Atum
"Atum is Primal Mind."
Page 45
The Being of Atum
Give me your whole awareness, and concentrate your thoughts, for Knowledge of Atum's Being requires deep insight,
which comes only as a gift of grace.
It is like a plunging torrent of water whose swiftness outstrips any man who strives to follow it,
leaving behind not only the hearer, but even the teacher himself.
To conceive of Atum is difficult.
To define him is impossible.
The imperfect and impermanent cannot easily apprehend
the eternally perfected.
Atum is whole and conconstant.
In himself he is motionless, yet he is self-moving.
He is immaculate, incorruptible and ever-lasting.
He is the Supreme Absolute Reality. He is filled with ideas
which are imperceptible to the senses, and with all-embracing Knowledge.
Atum is Primal Mind.
Page 46
He is too great to be called by the name 'Atum'. He is hidden,
yet obvious everywhere.
His Being is known through thought alone, yet we see his form before our eyes.
He is bodiless,
yet embodied in everything. There is nothing which he is not. He has no name,
because all names are his name. He is the unity in all things,
so we must know him by all names and call everything 'Atum'.
He is the root and source of all. Everything has a source,
except this source itself,
which springs from nothing.
Atum is complete like the number one, which remains itself
whether multiplied or divided, and yet generates all numbers.
Atum is the Whole which contains everything. He is One, not two.
He is All, not many.
The All is not many separate things,
but the Oneness that subsumes the parts.
The All and the One are identical.
You think that things are many
when you view them as separate,
but when you see they all hang on the One,
/Page 47/ and flow from the One,
you will realise they are unitedlinked together,
and connected by a chain of Being from the highest to the lowest,
all subject to the will of Atum.
The Cosmos is one as the sun is one, the moon is one and the Earth is one.
Do you think there are many Gods? That's absurd - God is one.
Atum alone is the Creator
of all that is immortal,
and all that is mutable.
If that seems incredible, just consider yourself. You see, speak, hear, touch,
taste, walk, think and breathe.
It is not a different you
who does these various things, but one being who does them all.
To understand how Atum makes all things, consider a farmer sowing seeds;
here wheat - there barley,
now planting a vine - then an apple tree.
Just as the same man plants all these seeds, so Atum sows immortality in heaven
and change on Earth.
Throughout the Cosmos
he disseminates Life and movementthe two great elements
that comprise Atum and his creation, and so everything that is.
Page 48
Atum is called 'Father' because he begets all things, and, from his example,
the wise hold begetting children
the most sacred pursuit of human life. Atum works with Nature,
within the laws of Necessity,
causing extinction and renewal, constantly creating creation
to display his wisdom.
Yet, the things that the eye can see are mere phantoms and illusions.
Only those things invisible to the eye are real. Above all are the ideas of Beauty and Goodness.
Just as the eye cannot see the Being of Atum,
so it cannot see these great ideas.
They are attributes of Atum alone,
and are inseparable from him.
They are so perfectly without blemish that Atum himself is in love with them.
There is nothing which Atum lacks, so nothing that he desires.
There is nothing that Atum can lose, so nothing can cause him grief. Atum is everything.
Atum makes everything,
and everything is a part of Atum.
Atum, therefore, makes himself.
This is Atum's glory - he is all-creative, and this creating is his very Being.
It is impossible for him ever to stop creatingfor Atum can never cease to be.
Page 49
Atum is everywhere.
Mind cannot be enclosed,
because everything exists within Mind.
Nothing is so quick and powerful.
Just look at your own experience. Imagine yourself in any foreign land, and quick as your intention
you will be there!
Think of the ocean - and there you are.
You have not moved as things move, but you have travelled, nevertheless.
Fly up into the heavens -
you won't need wings!
Nothing can obstruct you -
not the burning heat of the sun, or the swirling planets.
Pass on to the limits of creation. Do you want to break out
beyond the boundaries of the Cosmos?
For your mind, even that is possible.
Can you sense what power you possess? If you can do all this,
then what about your Creator?
Try and understand that Atum is Mind.
This is how he contains the Cosmos. All things are thoughts
which the Creator thinks."
6 |
S |
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1 |
6 |
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8 |
9 |
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19 |
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16 |
8 |
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6+8 |
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1+4 |
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1 |
6 |
7 |
8 |
9 |
1 |
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SOPHIA |
- |
- |
- |
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S |
19 |
10 |
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O |
15 |
6 |
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P |
16 |
7 |
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H |
8 |
8 |
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9 |
9 |
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A |
1 |
1 |
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6 |
SOPHIA |
68 |
41 |
14 |
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- |
- |
6+8 |
4+1 |
1+4 |
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6 |
SOPHIA |
14 |
5 |
5 |
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- |
- |
1+4 |
- |
- |
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6 |
SOPHIA |
5 |
5 |
5 |
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ATUM |
- |
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A |
1 |
1 |
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20 |
2 |
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U |
21 |
3 |
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M |
13 |
4 |
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4 |
ATUM |
55 |
10 |
10 |
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5+5 |
1+0 |
1+0 |
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4 |
ATUM |
10 |
1 |
1 |
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- |
- |
1+0 |
- |
- |
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4 |
ATUM |
1 |
1 |
1 |
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|
|
|
4 |
ATUM |
- |
- |
- |
|
|
|
|
|
A |
1 |
1 |
|
|
|
|
|
|
T |
20 |
2 |
|
|
|
|
|
|
U |
21 |
3 |
|
|
|
|
|
|
M |
13 |
4 |
|
|
|
|
|
4 |
ATUM |
55 |
10 |
10 |
|
|
|
|
- |
- |
5+5 |
1+0 |
1+0 |
|
|
|
|
4 |
ATUM |
10 |
1 |
1 |
|
|
|
|
- |
- |
1+0 |
- |
- |
|
|
|
|
4 |
ATUM |
1 |
1 |
1 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
- |
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
- |
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
- |
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
- |
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
5 |
- |
- |
- |
- |
- |
- |
- |
|
FIVE |
|
- |
- |
- |
6 |
- |
- |
- |
- |
- |
- |
- |
|
SIX |
|
- |
- |
- |
7 |
- |
- |
- |
- |
- |
- |
- |
|
SEVEN |
|
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
|
EIGHT |
|
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
|
NINE |
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+5 |
|
1 |
2 |
3 |
4 |
|
|
1+0 |
- |
|
|
Q |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
1 |
20 |
21 |
13 |
|
|
|
5+5 |
= |
|
1+0 |
|
|
1 |
2 |
3 |
4 |
|
|
|
1+0 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
|
|
|
|
occurs |
x |
|
= |
|
- |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
|
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occurs |
x |
|
= |
|
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|
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|
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1 |
2 |
3 |
4 |
|
|
1+0 |
- |
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|
Q |
1+0 |
|
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|
ATUM QUANTUM ATOM
QUANTUM
ATUM
6 |
ANUBIS |
- |
- |
- |
|
A+N+U |
36 |
9 |
|
|
B+I+S |
30 |
12 |
|
6 |
ANUBIS |
66 |
21 |
12 |
- |
- |
6+6 |
2+1 |
1+2 |
6 |
ANUBIS |
12 |
3 |
3 |
- |
- |
1+2 |
- |
- |
6 |
ANUBIS |
3 |
3 |
3 |
ANUBIS A NUMBER IS
A |
= |
1 |
- |
6 |
ANUBIS |
66 |
21 |
3 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
N |
= |
5 |
- |
6 |
NUMBER |
73 |
28 |
1 |
I |
= |
9 |
- |
2 |
IS |
28 |
19 |
1 |
- |
- |
21 |
|
15 |
Add to Reduce |
|
|
|
- |
- |
2+1 |
- |
1+5 |
Reduce to Deduce |
1+6+8 |
6+9 |
- |
- |
- |
3 |
- |
|
Essence of Number |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+5 |
1+5 |
- |
- |
- |
3 |
- |
|
Essence of Number |
|
|
|
A |
= |
1 |
- |
6 |
ANUBIS |
66 |
21 |
3 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
N |
= |
5 |
- |
6 |
DOG |
26 |
17 |
8 |
N |
= |
5 |
- |
6 |
GOD |
26 |
17 |
8 |
I |
= |
9 |
- |
2 |
IS |
28 |
19 |
1 |
- |
- |
21 |
|
15 |
Add to Reduce |
|
|
|
- |
- |
2+1 |
- |
1+5 |
Reduce to Deduce |
1+4+7 |
7+5 |
2+1 |
- |
- |
3 |
- |
|
Essence of Number |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+2 |
1+2 |
- |
- |
- |
3 |
- |
|
Essence of Number |
|
|
|
THE SIRIUS MYSTERY
Robert K.G. Temple 1976
Page 80
This is as clear an ancient description as one could expect of a circular orbit (called `Anubis') of a dark and invisible star (called `Nephthys') around its 'sister', a light and visible star (called 'Isis') — and we know Isis to have been equated with Sirius. What is missing here are the following specific points which must be at this stage still our assumptions: (a) The circle is actually an orbit. (b) The divine characters are actually stars, specifically in this context.
Actually, Anubis and Osiris were sometimes identified with one another. Osiris, the companion of Isis who is sometimes 'the companion of Sirius' is also sometimes identified with the orbit of the companion of Sirius, and this is reasonable and to be expected.
Isis-as-Sirius was customarily portrayed by the ancient Egyptians in their paintings as travelling with two companions in the same celestial boat. And as we know, Sirius does, according to some astronomers, have two companions, Sirius B and Sirius C.
To the Arabs, a companion-star to Sirius (in the same constellation of the Great Dog) was named 'Weight' and was supposed to be extremely heavy — almost too heavy to rise over the horizon. `Ideler calls this an astonishing star-name,' we are told, not surprisingly.
The true companion-star of Sirius, Sirius B, is made of super-dense matter which is heavier than any normal matter in the universe and the weight of this tiny star is the same as that of a gigantic normal star.
The Dogon also, as we know, say that Sirius B is 'heavy' and they speak of its 'weight'.
The Arabs also applied the name 'Weight' to the star Canopus in the constellation Argo. The Argo was a ship in mythology which carried Danaos and his fifty daughters to Rhodes. The Argo had fifty oarsmen under Jason, called Argonauts. There were fifty oars to the Argo, each with its oarsman-Argonaut. The divine oarsman was an ancient Mediterranean motif with sacred meanings.
The orbit of Sirius B around Sirius A takes fifty years, which may be related to the use of the number fifty to describe aspects of the Argo.
There are many divine names and other points in common between ancient Egypt and ancient Sumer (Babylonia). The Sumerians seem to have called Egypt by the name of `Magan' and to have been in contact with it.
The chief god of Sumer, named Anu, was pictured as a jackal, which is a variation of the dog motif and was used also in Egypt for Anubis, the dog and the jackal apparently being interchangeable as symbols. The Egyptian form of the name Anubis is `Anpu' and and is similar to the Sumerian `Anu', and both are jackal-gods.
The famous Egyptologist Wallis Budge was convinced that Sumer and Egypt both derived their own cultures from a common source which was 'exceedingly ancient'.
Anu is also called An (a variation) by the Sumerians. In Egypt Osiris is called An also.
Remembering that Plutarch said that Anubis (Anpu in Egyptian) was a circle, it is interesting to note that in Sanskrit the word Aida means 'ellipse'. This may be a coincidence.
Wallis Budge says that Anubis represents time. The combined meanings of 'time' and 'circle' for Anubis hint strongly at 'circular motion'.
The worship of Anubis was a secret mystery re::gion restricted to initiates (and we thus do not know its content). Plutarch, who writes of Anubis, was an initiate of several mystery religions, and there is reason to believe his information was from well-informed sources. (Plutarch himself was a Greek living under the Roman Empire.) A variant translation of Plutarch's description of Anubis is that Anubis was 'a combined relation' between Isis and Nephthys. This has overtones which help in thinking of 'the circle' as an orbit — a 'combined relation' between the star orbiting and the star orbited.
The Egyptians used the name Horus to describe 'the power which is assigned to direct the revolution of the sun', according to Plutarch. Thus the Egyptians conceived of and named such specific dynamics — an essential point.
Page 81
Plutarch says Anubis guarded like a dog and attended on Isis. This fact, plus Anubis being 'time', and 'a circle' suggests even more an orbital concept — the ideal form of attendance of the prowling guard dog.
Aristotle's friend Eudoxus (who visited Egypt) said that the Egyptians had a tradition that Zeus (chief god of the Greeks whose name is used by Eudoxus to refer to his Egyptian equivalent, which leaves us wondering which Egyptian god is meant — presumably Osiris) could not walk because 'his legs were grown together'. This sounds like an amphibious creature with a tail for swimming instead of legs for walking. It is like the semi= divine creature Oannes, reputed to have brought civilization to the Sumerians, who was amphibious, had a tail instead of legs, and retired to the sea at night.
Plutarch relates Isis to the Greek goddess Athena (daughter of Zeus) and says of them they were both described as 'coming from themselves', and as 'self-impelled motion'. Athena supervised the Argo and placed in its prow the guiding oak timber from Dodona (which is where the Greek ark landed, with the Greek version of the Biblical Noah, Deukalion, and his wife Pyrrha). The Argo thus obtained a distinctive 'self-impelled motion' from Athena, whom Plutarch specifically relates to Isis in this capacity.
The earliest versions of the Argo epic which were written before the time of Homer are unfortunately lost. The surviving version of the epic is good reading but relatively recent (third century a.c.)
The Sumerians had 'fifty heroes', 'fifty great gods', etc., just as the later Greeks with their Argo had 'fifty heroes' and the Argo carried 'fifty daughters of Danaos.'
An Egyptian papyrus says the companion of Isis is 'Lord in the perfect black'. This sounds like the invisible Sirius B. Isis's companion Osiris 'is a dark god'.
The Trismegistic treatise 'The Virgin of the World' from Egypt refers to 'the Black Rite', connected with the 'black' Osiris, as the highest degree of secret initiation possible in the ancient Egyptian religion — it is the ultimate secret of the mysteries of Isis.
This treatise says Hermes came to earth to teach men civilization and then again `mounted to the stars', going back to his home and leaving behind the mystery religion of Egypt with its celestial secrets which were some day to be decoded.
There is evidence that 'the Black Rite' did deal with astronomical matters. Hence the Black Rite concerned astronomical matters, the black Osiris, and Isis. The evidence mounts that it may thus have concerned the existence of Sirius B.
A prophecy in the treatise 'The Virgin of the World' maintains that only when men concern themselves with the heavenly bodies and 'chase after them into the height' can men hope to understand the subject-matter of the Black Rite. The understanding of astronomy of today's space age now qualifies us to comprehend the true subject of the Black Rite, if that subject is what we suspect it may be. This was impossible earlier in the history of our planet. It must be remembered that without our present knowledge of white dwarf stars which are invisible except with modern telescopes, our knowledge of super-dense matter from atomic physics with all its complicated technology, etc., none of our discussion of the Sirius system would be possible; it would not be possible to propose such an explanation of the Black-Rite at all — we could not propound the Sirius question. Much material about the Sumerians and Babylonians has only been circulated since the late 195os and during the 1960s, and our knowledge of pulsars is even more recent than that. It is doubtful that this book could have been written much earlier than the present. The author began work in earnest in 1967 and finished the book in 1974. Even so, he feels the lack of much needed information: sites remain unexcavated, texts untranslated from various ancient languages, astronomical investigations are perpetually incomplete. The author has also found it difficult to master material from so many different fields and wishes he were much better qualified. The Sirius question could not realistically have been posed much earlier, and future discoveries in many fields will be essential to its full consideration.
Page 82
"We must note Stecchini's remarks about Delphi as follows :38
The god of Delphi, Apollo, whose name means 'the stone', was identified with an object, the omphalos, 'navel', which has been found. It consisted of an ovoidal stone. . . . The omphalos of Delphi was similar to the object which represented the god Amon in Thebes, the 'navel' of Egypt. In 1966 I presented to the annual meeting of the Archaeological Institute of America a paper in which I maintained that historical accounts, myths, and legends, and some monuments of Delphi, indicate that the oracle was established there by the Pharaohs of the Ethiopian Dynasty.
'(Men) will seek out. . .
the inner nature of the holy spaces which no foot may tread, and will chase after them into the height, desiring to observe the nature of the motion of the Heaven.
'These are as yet moderate things. For nothing more remains than Earth's remotest realms; nay, in their daring they will track out Night, the farthest Night of all.'..."
OSIRIS SET ISIS SET OSIRIS
The Astral Transition - 9:50amThis is exactly what happened to Osiris, when his brother Set (plus 72 conspirators), tricked Osiris into getting into a coffin, then threw it into the Nile ...
www.diagnosis2012.co.uk/ast.htm
The Astral Transition - Clues From Egypt and Siberia Suggest a Shamanic Experience in 2012!
Ecdysone and the non-molecular body
Dr. Charles Muses, who died last year (2000), suggests in his 1985 book The Lion Path , 1 that the Egyptians had developed a technology in which tones, lights and an as-yet unidentified plant are used, to “open a rusty valve”, or trigger the production of hormones similar to the ecdysone (ecdydsterone), produced by larval forms of insects, which allows the adult form to emerge. In this way, they would allow the gestation of a non-molecular body that would allow the survival of consciousness beyond physical death. Just as every chrysalis has embossed wings on it, so too, does every mummy case have folded wings on it. The process was started well before death, and completed during the 70-day embalming period, that was connected to the 70-day disappearance of Sirius.
Muses, a mathematician, philosopher & computer scientist, was convinced that the synchronous perihelion (closest point of planetary orbit to the sun), of Pluto, with the periastron (closest approach of 2 stars to each other), of Sirius B and Sirius A, which both occurred in 1994, and only happen together every 90,000 years, allowed a flow of resonant energies, and the possibility of an evolutionary jump for those prepared to follow the clues left by the Egyptians. He produced a series of cassettes designed to be used at astrologically pre-determined times, while meditating, in order to produce “ the higher human analogue of the lepidopteran metamorphic hormone, ecdysterone”. This would then “activate certain genes whose functions would otherwise remain inaccessible”. The transformative energies would start slowing in January 1999, and stop by May 2000, and Muses says that those unable to complete their development before then, would have to “re-incarnate on the life-bearing planets of other solar systems that are on a later (and non-Plutonic), Meta-Cycle”.
Shamanic Egyptians
In Wm. R. Fix’s 1979 book Star Maps, 2 the author shows the correspondence between shamanic flight and the initiation rituals of Egypt. In the 4,300-year old Pyramid Texts, on the walls of the Pyramid of Unas, it is stated repeatedly that “He is not dead, this Unas is not dead”. In fact, Fix makes it plain that the reason why no bodies have ever been found in any pyramids – even those which were sealed – is because the pyramids were designed for initiation - to facilitate a OOBE or out-of-body-experience, in which the pharaoh would be gone for about 3 days, first orbiting the planet, and then going to the circumpolar stars, to become a purified spirit, (no wonder we call it astral projection!). Upon his return, Unas was told, “Put on thy body”.
A Lapland shaman's drum shows the Axis Mundi uniting the 3 worlds. Another drum painting shows the axis pointing to the circumpolar stars.
Shamans too, traditionally fly to the polar stars, and the Axis Mundi, or World Tree, which represents the earth axis, (and connects with the underworld below, and heaven above), is shown on some of their drums, as the route taken to the polar stars. Shamans usually employ drumming, fasting and power plants to access the other planes, and typically experience dis-memberment, where they are torn to pieces, then put back together again, as a kind of re-birth. This is exactly what happened to Osiris, when his brother Set (plus 72 conspirators), tricked Osiris into getting into a coffin, then threw it into the Nile. The coffin became embedded in a tamarisk tree, and was eventually used as a pillar in a palace. Isis found the coffin, and hid it, but Set discovered it, and cut Osiris into 14 pieces. With the help of Thoth, Isis found all the pieces except one – the phallus - and re-assembled Osiris. With Thoth’s magic, and a wooden phallus, Isis conceived Horus. Then Osiris ascended.
Mystery religions
These shamanic themes formed the Osiris cult, then found their way into other Mystery religions, such as the Greek Mysteries of Dionysus at Eleusis, Attis in Asia Minor, Bachus in Italy, and Mithras in Persia. They all involved a voluntary death, a flight from the body, a descent into the underworld, an ascent to heaven, then a resurrection. They also had a sacrament, which, in later versions was wine, but in the Mysteries of Mithras, “developed from older rites which used consecrated bread and water mixed with the intoxicating juice of a psychedelic plant called Haoma.” 3 The various cultures all adapted one of their gods to take on the role of the resurrecting god-man, but, when a Jewish sect wanted their own Mystery religion, it was a bit more difficult, since they only had one god, so they based the Mysteries around the figure of the Jewish Messiah. Freke and Gandy, in their book The Jesus Mysteries,4 have pointed out 30 correspondences between the Dionysus/Osiris Mysteries and Christianity. I have also found Mithraism/Christianity correspondences in Pears Cyclopedia:
Dionysus/Osiris Mysteries Mithraism & Christianity
(Jesus Mysteries by Freke & Gandy) (Pears Cyclopaedia)
1. Virgin birth 1.Miraculous birth
2. Born in cave on 25th December 2. 25th December birth of founder
3. Crucifixion (or stuck to/in a tree) 3. Death & glorious resurrection
4. Birth prophesied by star 4. Belief in Heaven & hell
5. 3 shepherds visited the birth 5. Immortality of the soul
6. Baptism 6. Last Judgement
7. Water into wine 7. Sunday as Holy day
8. Miracles 8. Celebration of Easter
9. Transfiguration 9. Use of bell, Holy Water & candle
10. 12 disciples
11. Eating of bread & wine (=flesh and blood) to commune with the god)
12. Death redeems sins of world
13. Descends into Hell & resurrects after 3 days
14. Ascends to Heaven to appear as judge at the end of time
15. 3 women followers visit empty tomb.
Etc. etc.
These were the outer mysteries; the Gnostics retained the inner mysteries.
Precession encoded
Santillana and von Dechend, in their 1969 book, Hamlet’s Mill,5 have shown that there has been a knowledge of the Precession of the Equinoxes, for millennia, and that it has been encoded into mythology all over the world. This concerns the slow movement of the Earth axis in a circle, which takes about 26,000 years to complete. Plato called this the Great Year, of 25,920 years. The vernal (spring) equinox slowly moves through all 12 Zodiac constellations over the 25,920 years, until it comes back to its starting point. Actually, it is the background stars that are moving – the equinox stays in the same place. Each constellation takes 2,160 years to cross the equinoctial point, and it takes 72 years for each of the 360 degrees of the sky to rotate. The constellations also oscillate up and down over the precession. Robert Bauval and his co-authors 6 have shown that the Egyptians were measuring this movement from the First Time of Osiris, (Zep Tepi), which they put at 10,500 BC, when Orion was at its lowest point, to the Last Time of Osiris, which is coming up soon, (half a precessional cycle later), when Orion reaches its highest position.
These precessional numbers – 72, 360, 2,160, 4,320 (2x 2,160), and 25,920, have been found encoded into Egyptian myths, such as the one where Ra, upon discovering his wife’s infidelity, said she was not to bear children on any of the 360 days of the year. Thoth intervened and played a game of draughts with the Moon, and won 1/72nd part of the Moon’s light, creating the extra 5 epagomenal days, on which were born Isis, Osiris, Set, Nephthys, and Horus the elder. (360/72=5). Encoded here is 72 x 360 = 25,920. Remember also the 72 conspirators of Set, who caused Osiris to become part of the tree!
Every year, the Egyptians held a festival for Raising the Djed. The Djed was a pillar with 4 rings on it, which represented the backbone of Osiris, the tree he was entombed in, and the axis of the Earth. Barbara Hand Clow has pointed out, in her new book Catastrophobia, 7 that the relief showing the Raising of the Djed in the Temple at Abydos, shows the Djed at an initial angle of “20 to 25 degrees off vertical” – the same as the angle of tilt on Earth’s axis. When measuring the image with a protractor, it is actually within a degree of the 23.5 degree tilt angle. Clow says that around 9,500 BC, at the end of the ice-age, the catastrophe pinpointed by Allan & Delair in When the Earth Nearly Died, 8 when supernova fragments passed close to Earth, caused the start of the precession cycle, by knocking the axis away from vertical.
Djed = Axis Mundi = Tree of Life = Tree of Knowledge
Raising the djed, and Osiris as the djed - surmounted by feathers in both cases. Mayan polar axis (also surmounted by feathers -7 Macaw) with snake around it
The Mystic Cross of The Great Hierophant; Arcanum 5 of the Tarot. "The perpendicular stem of the Cross means the channel through which flows the current, passing through the three lower worlds, symbolized by the horizontal arms of the Cross." See how this relates to the 3 worlds of the Shamans (see drum above), and the Kabbalistic Tree of Life *, though the Kabbalists had 4 worlds. The central column, or Middle Pillar also represented the human spine, with its kundalini serpent, just as the djed represented the spine of Osiris.
Some Egyptian papyri show the world tree administering spiritual nourishment, thereby combining the concepts of the World Tree, Tree of Life, and Tree of Knowledge. This connection is also emphasised on Stela 25 from Izapa, Mexico, which shows “Hunahpu with Seven Macaw in his polar perch”. The polar axis is shown looking very similar to a Djed pillar, with Seven Macaw representing the Big Dipper (Plough/Great Bear) constellation. John Major Jenkins has shown in his book Maya Cosmogenesis 2012, 9 that the Maya were tracking precession, and that this is what is behind the Long Count calendar. The Crocodile Tree on the stela represents the Milky Way, and Hunahpu is shaking Seven Macaw off his perch, representing the precessional movement of the Big Dipper away from the celestial pole (and also signifying the change in preferred shamanic destination to Galactic Centre, via the Crocodile/Caiman Tree). Notice that there is a snake wrapped around the two trees!
Tree of Knowlege is Amanita Muscaria - a 13th Century fresco in Plaincourault in France
In Plaincourault, France, there is a mural showing the Tree of Knowledge , with the snake wrapped around it, and Eve talking to the snake. The Tree is a Fly Agaric mushroom! The Fly Agaric is, of course, a hallucinogenic mushroom, and John Allegro, who translated the Dead Sea Scrolls, went as far as to suggest that the early Christians used it as a sacrament. Bishop Jim Pike, (a friend of sci-fi author Philip k. Dick), found the argument so convincing, that he went to the desert near Qumran on the Dead Sea, in search of Fly Agarics – but unfortunately, he died of dehydration while in the desert. Gordon Wasson wrote a book called Soma, Divine Mushroom of Immortality, identifying the Fly Agaric with Soma, the sacrament of the Hindus, meaning “body”, (which gives us the word somatic). Andrija Puharich also wrote a book about Fly Agaric, called the Sacred Mushroom – Key to the Door of Eternity. A summary of all this can be found in James Arthur’s book, Mushrooms and Mankind.
Taking the pee?
Every year at Christmas, we re-enact our own Mystery play, which has somehow survived to remind us of all this. December 25th used to be Winter solstice. It is the birthday of the god-man Osiris/Dionysus/Mithras/Jesus, who, as Osiris, represents the polar axis, (Djed) and its 72 x 360-year precession cycle. We pretend that a wise old elf called Santa Claus flies through the sky, pulled by reindeer, (having frozen time, so he can visit everyone), and enters via the chimney. He leaves traditionally wrapped red and white gifts under a pine tree that we have brought indoors, and in socks hanging over the fireplace. Then he flies off to the North Pole!
In Siberia, since time immemorial, around Winter Solstice shamans have gathered the red and white Fly Agaric mushrooms from under the very same pine trees we put in our living rooms, and distributed them from a sack. In Siberia, the entrances to homes are in the roof, and double as a smoke outlet, so they really are entering via the chimney! The mushrooms are left to dry out by hanging them over the hearth. The mushrooms have to be gathered quickly, because the reindeer love them. However, it is a fact that the psychoactive ingredient can be recycled several times, and unpleasant side effects such as vomiting, are thus avoided. It is also a fact that the reindeer love eating yellow snow! If a reindeer herder wants to gather his herd, he only has to urinate, and they all come running.
That is why the reindeer all fly along in frozen time. Even the reindeer names reinforce the encoding (– see Solstice Studios for more info). The tree also represents the Axis Mundi, with the candles or lights and baubles representing stars, and the star on the top representing the Pole Star. It is usually a 5-pointed star, and therefore encodes 72, since a pentacle is formed by 5 x 72-degree angles. Santa lives at the North Pole, which encodes the OOBE destination, and Santa’s helpers, the elves, are either the fourth dimensional astral beings encountered, or even our higher dimensional selves - also represented by the angel/fairy on the tree.
What crazy kind of world is this? Is Jack’s trip up the beanstalk to get the golden eggs another version? Is Humpty Dumpty an exploded planet?
What does it all mean?
As I said just now, Jenkins has shown that the Maya were tracking precession with the Long Count calendar, but rather than the Vernal Equinox, they were tracking the movement of stars (the Milky Way) against the Winter Solstice. He also showed that the Mayan 13-baktun cycle (5,125 years), ends on Winter Solstice 2012. What is more, the Maya used to take hallucinogens, including toad venom, and psilocybin mushrooms. Jenkins has also found some evidence they may have taken Amanita Muscaria (Fly Agaric),10 but they mainly used the psilocybin mushroom. This is the same mushroom that Terence & Dennis McKenna took, when they were “informed by an elf-troupe that the laws of physics would change in 2012”, and conceived the Timewave Zero concept – a hierarchy of waves governing all change in the universe, and terminating in 2012, encoded in the Chinese I Ching oracle. The psilocybin mushrooms contain DMT, which is also produced in the pineal gland, or third eye, and which is shaped LIKE A PINE-CONE.
Some have suggested that the Egyptians too, took psilocybin mushrooms. They did take the blue water lily, which Paul Devereux says in The Long Trip – A Prehistory of Psychedelia,11 “was the form in which Isis restored the murdered Osiris, and was thus a symbol for him”. The lily has hypnotic effects. Devereux says the Egyptians also had access to opium (which gave Errol Flynn an out-of-body experience), and khat, which produces a dream-like state. Also, in the Americas, a different species of tobacco was taken, and in huge doses. A near-lethal dose can give an OOBE. We have heard recently of the “cocaine mummies” found in Egypt – well, they also contained large amounts of nicotine – another plant that should not have been in Egypt – very upsetting for Egyptologists!
Devereux has shown that most of these power plants can cause OOBEs when taken in large enough doses, or in combination, (though very dangerous or unpleasant in some cases), and that they have been used for just such purposes for thousands of years. In another book – Shamanism and the Mystery Lines,12 Devereux makes a very strong case that these magical shamanic flights were associated with the alignments we know as Ley Lines, where ancient barrows, standing stones, stone circles, and even pre-reformation churches (built on sacred sites), are aligned in straight lines.
Will the “Galactic Winter Solstice” in 2012 allow a mass out-of-body experience? Will celestial and terrestrial grids align? Will a passing celestial body re-align the Axis Mundi to its pre-fall state? Or maybe the falling geomagnetic field will lead to a magnetic reversal, and switch our polarity ( OOBE researcher Robert Monroe found that the body’s polarity reverses while out of body). Maybe the Sun’s sunspot mega-cycle will trigger it (largest EVER solar flare in April 2001- fortunately pointing away from Earth – plus 11-year sunspot cycle just shunted forward almost a year, shifting the next solar Max. to 2012). Or it may be triggered by magnetised bands of plasma which the solar system is passing through.
Better get practising those OOBEs!:
Click here for safe, non-toxic OOBE resources,
and here for a new astral projection site with free online courses.
More info at www.egodeath.com/amanita.htm
*NB reversed positions of Star & Emperor
UPDATE: This crop formation appeared on 15th July at east field, Alton Barnes, Wiltshire, UK. It connects many of the themes of this essay: It points directly to a Long Barrow called Adam's Grave, thus being identified as the apple tree of the Tree of Knowledge in the Garden of Eden, and showing a mushroom with gills in its reflection, thus suggesting that the tree of Knowledge could be a fly-agaric or other psychoactive mushroom, by which shamans "climbed" the tree. It also shows a heaven/overworld and an underworld, suggesting the Norse Yggdrasil, on which Odin hung himself for 3 days to attain knowledge. See http://www.cropcircleconnector.com/2002/eastfield2/eastfield2002b.html
East Field, Wilts., UK 15/7/02 C. Photo: Steve Alexander Yggdrasil
Notes
1. The Lion Path: You Can Take It With You by Muasios (Charles Muses) House of Horus 1985-90; 45911 Silver Avenue, Sardis, BC, V2R 1Y8, Canada.
2. Star Maps by Wm. R. Fix, Octopus Books, 1979; 59, Grosvenor St,., London W1
3. The Jesus Mysteries, by Timothy Freke & Peter Gandy, Thorsons, London, 1999; p. 61
4. Ibid.
5. Hamlet's Mill - An Essay Investigating the Origins of Human Knowledge and its Transmission Thrtough Myth, by Giorgio De Santillana and Hertha Von Dechend, David R. Godine, Publisher, Inc., Boston, Massachusetts, USA; 1977-92
6. The Orion Mystery by Robert Bauval & Adrian Gilbert, Mandarin Paperbacks, London, 1995; Keepers of Genesis, by Robert Bauval & Graham Hancock, Heinemann, London, 1996.
7. Catastrophobia, by Barbara Hand Clow, Bear & Co., Rochester, Vermont, USA; 2001
8. When The Earth Nearly Died - Compelling Evidence of a Catastrophic World Change 9,500 BC, by DS Allan & JB Delair; Gateway Books, Bath, UK, 1995
9. Maya Cosmogenesis 2012, by John Major Jenkins, Bear & Co, 1998
10. Ibid., p.193
11. The Long Trip - A Prehistory of Psychedelia, by Paul Devereux, Arkana (Penguin) 1997; p.88
12. Shamanism and the Mystery Lines, Llewellyn publications, 1999
Daily Mail, Saturday, September 5, 2015
ANSWERS TO CORRESPONDENTS
Compiled by Charles Legge
Heavens! Life goes on and on
QUESTION
Does Buddhism
have a heaven and hell?
ONE important concept of Buddhism is 'transmigration', commonly known in the West as `reincarnation', which holds that all living things die and are reborn. Rebirth in your next life is based on behaviour in your past one. Among Buddhists, the cycle of life and death, or Samsara, means living beings are born into one of six states of existence: three good and three evil.
All are destined to death and rebirth in a recurring cycle over countless ages, unless they can break free from desire and attain enlightenment, nirvana.
On death, all are reborn into a lower or a higher realm, depending on their actions while alive. This involves the concept of karma, and karmic retribution.
Those with good karma might be reborn in the Heavenly Realms, living a blessed existence as a deva, a holy spirit that exists for 30,000 years of pleasure before entering the rebirth cycle again. Next is the realm of Manusyagati — the human realm containing beings who are good and evil; enlightenment is within their grasp, yet most are blinded and consumed by their desires.
Third is Asura, a realm inhabited by demi-gods, characterised by anger, jealousy and war.
Fourth is Tiryagyoni-gati, the realm of animals, a rebirth caused by stupidity and servitude.
Fifth is Preta-gati, the realm of hungry ghosts, a rebirth based on strong possessiveness and desires cultivated in former lives. Ghosts are always hungry and thirsty, but can never satisfy these needs.
Finally, those with really poor karma are reborn in Naraka-gati, the realm of hell, the lowest and worst domain, racked by torture and characterised by aggression.
The Buddhist view of hell differs from that of most monotheistic religions, in that those punished aren't trapped permanently.
Naraka has numerous levels full of ironic punishments to fit the crime. Murderers are killed and rekilled for millennia.
Adulterers climb a tree of metal thorns while giant, fiery, razor-toothed women devour them.
People who kill animals go to a slaughterhouse and are crushed.
Jen Nime, London W13.
REINCARNATION
959995995
REINCARNATION
KARMA A MARK A KARMA
FILE LIFE FILE
KARMA A MARK A KARMA
BELOVED ISIS QUEEN OF THE NIGHT COME WEAVE THY WEB WITH RAPID LIGHT
HOLY BIBLE
Scofield References
Page 1117 A.D. 30.
Jesus answered and said unto him, Verily, verily,
I say unto thee, Except a man be born again,
He cannot see the kingdom of God.
St John Chapter 3 verse 3
3 + 3 3 x 3
6 x 9
54
5 + 4
9
IN SEARCH OF THE MIRACULOUS
Fragments of an Unknown Teaching
P.D.Oupensky 1878-1947
Page 217
'A man may be born, but in order to be born he must first die, and in order to die he must first awake.'
" 'When a man awakes he can die; when he dies he can be born'"
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28 |
10 |
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39 |
12 |
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49 |
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13 |
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13 |
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124 |
52 |
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4 |
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73 |
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72 |
27 |
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18 |
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36 |
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32 |
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393 |
159 |
60 |
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13 |
13 |
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4 |
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4 |
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73 |
10 |
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5 |
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72 |
27 |
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1 |
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41 |
14 |
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41 |
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31 |
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354 |
147 |
48 |
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50 |
23 |
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1 |
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3 |
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28 |
10 |
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1 |
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6 |
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60 |
15 |
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8 |
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2 |
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13 |
13 |
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3 |
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18 |
9 |
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4 |
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3 |
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18 |
9 |
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26 |
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22 |
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188 |
80 |
35 |
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4 |
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50 |
23 |
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2 |
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13 |
13 |
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4 |
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28 |
19 |
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8 |
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2 |
|
13 |
13 |
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3 |
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3 |
|
18 |
9 |
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2 |
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7 |
7 |
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3 |
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4 |
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49 |
22 |
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33 |
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21 |
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178 |
106 |
34 |
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First Total |
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1+4+9 |
|
1+1+9 |
Add to Reduce |
1+2+3+7 |
5+4+4 |
1+9+3 |
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|
3+2 |
2+5 |
1+8 |
2+8 |
1+6 |
6+3 |
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Second Total |
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|
1+4 |
|
1+1 |
Reduce to Deduce |
1+3 |
1+3 |
1+3 |
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1+0 |
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Essence of Number |
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|
- |
- |
- |
- |
- |
MIND |
- |
- |
- |
M |
= |
4 |
- |
1 |
M |
13 |
4 |
4 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
N |
= |
5 |
- |
1 |
N |
14 |
5 |
5 |
D |
= |
4 |
- |
1 |
D |
4 |
4 |
4 |
- |
- |
|
|
4 |
|
|
|
|
- |
- |
2+2 |
- |
- |
- |
4+0 |
2+2 |
2+2 |
- |
- |
|
- |
|
MIND |
|
|
|
- |
- |
- |
- |
- |
MIND |
- |
- |
- |
D |
= |
4 |
- |
1 |
D |
4 |
4 |
4 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
M |
= |
4 |
- |
1 |
M |
13 |
4 |
4 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
N |
= |
5 |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
|
|
4 |
|
|
|
|
- |
- |
2+2 |
- |
- |
- |
4+0 |
2+2 |
2+2 |
- |
- |
|
- |
|
MIND |
|
|
|
MIND DIM N DIM MIND
MIND DIM 5 DIM MIND
HUMAN MINDS HUMAN
- |
- |
- |
- |
- |
MINDS |
- |
- |
- |
M |
= |
4 |
- |
1 |
M |
13 |
4 |
4 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
N |
= |
5 |
- |
1 |
N |
14 |
5 |
5 |
D |
= |
4 |
- |
1 |
D |
4 |
4 |
4 |
S |
= |
1 |
- |
1 |
S |
19 |
10 |
1 |
- |
- |
23 |
|
5 |
|
|
|
|
- |
- |
2+3 |
- |
- |
- |
5+9 |
2+2 |
2+3 |
- |
- |
5 |
- |
|
MINDS |
|
|
|
- |
- |
2+3 |
- |
- |
- |
1+4 |
- |
- |
- |
- |
5 |
- |
|
MINDS |
|
|
|
- |
- |
- |
- |
- |
MATTER |
- |
- |
- |
- |
- |
- |
- |
- |
MIND |
- |
- |
- |
M |
= |
4 |
- |
1 |
M |
13 |
4 |
4 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
N |
= |
5 |
- |
1 |
N |
14 |
5 |
5 |
D |
= |
4 |
- |
1 |
D |
4 |
4 |
4 |
- |
- |
22 |
- |
4 |
MIND |
40 |
22 |
22 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
MATTER |
- |
- |
- |
M |
= |
4 |
- |
1 |
M |
13 |
4 |
9 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
T |
= |
2 |
- |
1 |
N |
14 |
5 |
5 |
T |
= |
2 |
- |
1 |
D |
4 |
4 |
4 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
- |
- |
23 |
- |
6 |
MATTER |
77 |
23 |
23 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
45 |
|
|
|
|
|
|
- |
- |
4+5 |
- |
1+0 |
- |
1+1+7 |
4+5 |
4+5 |
- |
- |
9 |
- |
|
- |
|
|
|
SECRET CHAMBERS
Robert Bauval
1
999
Page 46
"The point that is being made here is that there existed a sacred science in Egypt that could only be imparted to gifted individuals with a strong predisposition for intuitive learning - the type of learning that is done with the human apparatus of perception, with the fine tuning of the five senses such that they functioned jointly as super receivers and transmitters of messages. Thus the initiation or training of natural magicians was to fine-tune the sensory perception. Anyone can fine-tune his sense to 'read' the messages of nature. However, to be a magician is to be able to reverse the process, i.e. to transmit the messages to others by using the 'language of the gods'. This is the arcana arcanorum, the ultimate secret of the magician. Thoth, the inventor of this magic, was supreme in its application. Equipped with such a cognition of Thoth, we can now examine the purpose of his divine mission as 'messenger' of the gods."
SO I RISE SO I SET SO I SET SO I RISE
SET OSIRIS ISIS OSIRIS SET
SETS ARISES SETS
SO IRIS OSIRIS IRIS SO
THE
HOURS OF HORUS
LIGHT LIVING HEAT LIVING LIGHT
BLACK B LACK OF LIGHT OF LACK B BLACK
TWILIGHT TWO IN ONE LIGHT ONE IN TWO TWILIGHT
EARTH HEART HEAT R HEAT HEART EARTH
TWILIGHT TWO IN ONE LIGHT ONE IN TWO TWILIGHT
- |
THE HOLY NAME |
- |
- |
- |
|
THE |
33 |
15 |
|
|
HOLY |
60 |
24 |
|
|
NAME |
33 |
15 |
|
11 |
THE HOLY NAME |
126 |
54 |
18 |
1+1 |
- |
1+2+6 |
5+4 |
1+8 |
2 |
THE HOLY NAME |
9 |
9 |
9 |
|
|
33 |
15 |
|
|
|
39 |
12 |
|
|
|
81 |
36 |
|
13 |
- |
|
63 |
18 |
1+3 |
- |
1+5+3 |
6+3 |
1+8 |
4 |
- |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
33 |
15 |
|
7 |
ENGLISH |
74 |
38 |
|
8 |
LANGUAGE |
68 |
32 |
|
18 |
- |
|
|
|
1+8 |
- |
1+7+5 |
8+5 |
1+3 |
9 |
- |
13 |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
1 |
4 |
STAR |
58 |
13 |
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
2 |
2 |
OF |
|
12 |
|
|
|
|
|
|
|
|
|
|
|
W |
|
|
3 |
|
WONDER |
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
4 |
4 |
STAR |
58 |
13 |
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
5 |
2 |
OF |
|
12 |
|
|
|
|
|
|
|
|
|
|
|
L |
|
|
6 |
5 |
LIGHT |
56 |
29 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
6 |
4 |
STAR |
58 |
13 |
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
7 |
2 |
OF |
|
12 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
8 |
|
ROYAL |
|
|
|
|
|
|
|
|
|
|
|
|
|
B |
|
|
10 |
6 |
BEAUTY |
74 |
20 |
|
|
|
|
|
|
|
|
|
|
|
B |
|
|
11 |
6 |
BRIGHT |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Add to Reduce |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
4+2 |
|
4+2 |
First Total |
5+8+1 |
2+2+1 |
4+1 |
- |
|
|
- |
1+2 |
|
- |
|
|
|
|
|
|
|
|
Reduce to Deduce |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Second Total |
1+4 |
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
- |
|
|
|
|
|
|
|
|
|
6 6 6 AZIN 6 6 6
IS
SIX SIX SIX AND SIX SIX SIX
IS
777
RE THE HOLY FAMILY
REMEMBER THE HOLY SEVEN
THE ROOT NUMBER OF THE 6 LETTERED JOSEPH = 1 (6+1) = 7
THE ROOT NUMBER OF THE 5 LETTERED JESUS = 2 (2+5) = 7
THE ROOT NUMBER OF THE 4 LETTERED MARY = 3 (4+3) = 7
6 |
JOSEPH |
73 |
28 |
1 |
5 |
JESUS |
74 |
11 |
2 |
4 |
MARY |
57 |
21 |
3 |
J |
= |
1 |
- |
6 |
JOSEPH |
73 |
28 |
1 |
J |
= |
1 |
- |
5 |
JESUS |
74 |
11 |
2 |
M |
= |
4 |
- |
4 |
MARY |
57 |
21 |
3 |
- |
- |
6 |
- |
|
- |
|
|
|
- |
- |
- |
- |
1+5 |
- |
2+0+4 |
6+0 |
- |
- |
- |
6 |
- |
|
|
|
|
|
- |
- |
- |
- |
|
|
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
6 |
JOSEPH |
1 |
6+1 |
7 |
- |
- |
- |
- |
5 |
JESUS |
2 |
5+2 |
7 |
- |
- |
- |
- |
4 |
MARY |
3 |
4+3 |
7 |
SEVENS EVENS SEVEN
- |
EGYPT |
- |
- |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
|
- |
5 |
1 |
G |
7 |
7 |
7 |
- |
7 |
- |
1 |
Y |
25 |
7 |
7 |
- |
7 |
- |
1 |
P |
16 |
7 |
7 |
- |
7 |
- |
1 |
T |
20 |
2 |
2 |
|
- |
2 |
5 |
EGYPT |
73 |
28 |
28 |
- |
21 |
7 |
|
- |
7+3 |
2+8 |
2+8 |
- |
2+1 |
- |
5 |
EGYPT |
10 |
10 |
10 |
|
3 |
7 |
|
- |
1+0 |
1+0 |
1+0 |
- |
- |
- |
5 |
EGYPT |
1 |
1 |
1 |
|
3 |
7 |
- |
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
5 |
7 |
7 |
7 |
2 |
|
|
|
2+8 |
|
|
1+0 |
|
|
|
|
|
5 |
7 |
25 |
16 |
20 |
|
|
|
7+3 |
|
|
1+0 |
1 |
|
|
- |
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
5 |
7 |
7 |
7 |
2 |
|
|
|
2+8 |
|
|
1+0 |
|
|
|
|
|
5 |
7 |
25 |
16 |
20 |
|
|
|
7+3 |
|
|
1+0 |
1 |
|
|
- |
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
5 |
7 |
25 |
16 |
20 |
|
|
|
7+3 |
|
|
1+0 |
1 |
|
|
- |
- |
5 |
7 |
7 |
7 |
2 |
|
|
|
2+8 |
|
|
1+0 |
|
|
|
- |
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
1 |
|
|
|
|
- |
- |
|
- |
- |
- |
- |
- |
- |
2 |
- |
- |
|
occurs |
x |
|
= |
2 |
= |
|
|
|
- |
|
|
|
|
|
|
3 |
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
- |
- |
|
- |
- |
5 |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
|
= |
5 |
= |
|
|
|
- |
|
|
|
|
|
|
6 |
|
|
|
|
- |
- |
|
- |
- |
- |
7 |
7 |
7 |
- |
- |
- |
|
occurs |
x |
|
= |
21 |
2+1 |
|
|
|
- |
|
|
|
|
|
|
8 |
|
|
|
|
- |
- |
|
|
|
- |
|
|
|
|
|
|
9 |
|
|
|
|
- |
- |
|
31 |
5 |
E |
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
3+1 |
- |
- |
7 |
7 |
7 |
|
|
|
1+4 |
|
|
- |
|
2+8 |
|
1+0 |
4 |
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
5 |
|
|
|
2 |
|
|
- |
|
|
- |
|
1+0 |
|
- |
4 |
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
5 |
7 |
7 |
7 |
2 |
|
|
- |
|
|
- |
|
1+0 |
|
- |
4 |
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
5 |
7 |
7 |
7 |
2 |
|
|
|
2+8 |
|
|
1+0 |
|
|
|
|
5 |
7 |
25 |
16 |
20 |
|
|
|
7+3 |
|
|
1+0 |
1 |
|
|
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
5 |
7 |
7 |
7 |
2 |
|
|
|
2+8 |
|
|
1+0 |
|
|
|
|
5 |
7 |
25 |
16 |
20 |
|
|
|
7+3 |
|
|
1+0 |
1 |
|
|
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
5 |
7 |
25 |
16 |
20 |
|
|
|
7+3 |
|
|
1+0 |
1 |
|
|
- |
5 |
7 |
7 |
7 |
2 |
|
|
|
2+8 |
|
|
1+0 |
|
|
|
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
- |
- |
2 |
- |
- |
|
occurs |
x |
|
= |
2 |
= |
|
- |
5 |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
|
= |
5 |
= |
|
- |
- |
7 |
7 |
7 |
- |
- |
- |
|
occurs |
x |
|
= |
21 |
2+1 |
|
5 |
E |
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
- |
- |
7 |
7 |
7 |
|
|
|
1+4 |
|
|
- |
|
2+8 |
|
1+0 |
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
5 |
|
|
|
2 |
|
|
- |
|
|
- |
|
1+0 |
|
- |
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
5 |
7 |
7 |
7 |
2 |
|
|
- |
|
|
- |
|
1+0 |
|
- |
5 |
E |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
OUT OF EGYPT I HAVE CALLED MY SON
THE
PATH OF PTAH
THE EGYPTIAN BOOK OF THE DEAD
E. A. Wallace Budge
1899
OF LIVING NIGH UNTO RA
Page 397
And I say, 'On every road " and among (11) these millions of years is Ra the lord, "and his path is in the fire; and they go round about "behind him, and they go round about behind him.' "
"and his path is in the fire; and they go round about "behind him, and they go round about behind him.' "
In 1913 Bohr perfected the Rutherford theory of the atom by an early use of quantum theory. An electron moving in a circle around the nucleus can be held in orbit by a balance between the electrostatic force of attraction to the nuclei and the centrifugal force due to its motion.
THE MORNING OF THE MAGICIANS
Lois Pauwels and Jacques Bergier
1963
Page 226
The 'Sun' was the fixed centre round which the electrons revolve"
-
-
.......
THE SUPERGODS
Maurice M Cotterell
1997
Page 110
And I saw another angel ascending from the East, having the seal of the living God: and he cried with a loud voice to the four angels, to whom it was given to hurt the Earth and the sea, saying 'Hurt not the Earth, nei-ther the sea, nor the trees, till we have sealed the servants of our God in their foreheads: And I saw the number of them which were sealed; and there were sealed an hundred and forty, and four thousand of all the tribes of the children of Israel. (Rev VII 3,4)
It goes on, 'And it was commanded them that they should not hurt the grass of the Earth, neither any green thing, neither any tree, but only those men which have not the seal of God on their foreheads...' (Rev IX, 4).
Look again at The Physical Death of Lord Pacal, Scene 4 (Fig 49 below). Look again at his forehead, and count the number sealed: 144,000.
Like all composites, the picture is made up of two halves which are 'reflected' either side of the centre line of the drawing. It is therefore not possible to show the number 144,000 from left to right and again (the mirror image) from right to left. To overcome this, 1440 is written from left to right. The mirror image of 1440 can be seen from right to left. The missing two zeros (in Mayan notation, an oval embellished with three lines) are shown above this number.
It seems that the man in the tomb at Palenque had much in common with the other Supergods - Jesus, Krishna and Buddha - and that he brought the same message and the same super-knowledge which has powerfully influenced the intellectual ascent of man since time began."
|
|
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|
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|
|
|
|
|
|
|
W |
|
|
|
1 |
|
|
WISE |
|
|
|
|
|
|
|
|
|
|
|
|
|
W |
|
|
|
2 |
|
6 |
WISDOM |
83 |
29 |
|
|
|
|
|
|
|
|
|
|
|
L |
|
|
|
3 |
|
4 |
LOST |
|
|
|
|
|
|
|
|
|
|
|
|
|
A |
|
|
|
4 |
|
2 |
AT |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
5 |
|
3 |
SEE |
29 |
11 |
|
|
|
|
|
|
|
|
|
|
|
D |
|
|
|
6 |
|
7 |
DROWNED |
83 |
38 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
7 |
|
2 |
IN |
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
A |
|
|
|
8 |
|
1 |
A |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
S |
|
|
|
9 |
|
|
SEA |
|
|
|
|
|
|
|
|
|
|
|
|
|
O |
|
|
|
10 |
|
2 |
OF |
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
K |
|
|
|
11 |
|
9 |
KNOWLEDGE |
96 |
42 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
Add to Reduce |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
3+8 |
- |
|
- |
4+3 |
Reduce to Deduce |
5+0+4 |
1+8+9 |
3+6 |
- |
|
|
|
- |
|
|
|
- |
- |
|
|
|
- |
|
- |
|
Essence of Number |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
1+1 |
- |
|
|
- |
Reduce to Deduce |
|
1+8 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
Essence of Number |
|
|
|
- |
|
|
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|
|
|
|
|
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|
|
|
|
|
W |
|
|
|
1 |
|
|
WISE |
|
|
|
|
|
|
|
|
|
|
W |
|
|
|
2 |
|
6 |
WISDOM |
83 |
29 |
|
|
|
|
|
|
|
|
L |
|
|
|
3 |
|
4 |
LOST |
|
|
|
|
|
|
|
|
|
|
A |
|
|
|
4 |
|
2 |
AT |
21 |
3 |
|
|
|
|
|
|
|
|
S |
|
|
|
5 |
|
3 |
SEE |
29 |
11 |
|
|
|
|
|
|
|
|
D |
|
|
|
6 |
|
7 |
DROWNED |
83 |
38 |
|
|
|
|
|
|
|
|
I |
|
|
|
7 |
|
2 |
IN |
23 |
14 |
|
|
|
|
|
|
|
|
A |
|
|
|
8 |
|
1 |
A |
1 |
1 |
|
|
|
|
|
|
|
|
S |
|
|
|
9 |
|
|
SEA |
|
|
|
|
|
|
|
|
|
|
O |
|
|
|
10 |
|
2 |
OF |
21 |
3 |
|
|
|
|
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Daily Mail, Monday, October 5, 2015
ANSWERS TO CORRESPONDENTS
Compiled by Charles Legge
Bowie and a mystic sign
Symbol: Kabbalah's tree of life features in Bowie's song Station to Station
(image omitted)
Page 53
QUESTION
The David Bowie song Station To Station
contains the lyric: 'One magical movement from Kether to Malkuth.' Who are they?
KETHER and Malkuth are terms derived from the Jewish Kabbalah, a set of esoteric teachings meant to explain the relationship between an unchanging, eternal and mysterious force called Ein Sof (infinity) and the mortal and finite universe (God's creation).
Kabbalah is steeped in mysticism and layers of interpretation, but is accessible and comprehensible through its central symbol, The Tree Of Life. In this ten elements called Sephirots (Divine Attributes) are linked in a metaphysical configuration.
According to Kabbalah, the true essence of God is so transcendent that it cannot be described except with reference to what it is not. This true essence is known as Ein Sof, which literally means 'without end', encompassing the idea of his lack of boundaries in both time and space. The Ein Sof interacts with the universe through the ten Sephirots.
At the Tree's summit is the highest of the Divine Attributes, Kether (the Crown), the beginning' the source of all.'
Below the Crown are Hokhmah and Binah (Wisdom and Understanding, reading from right to left in the Hebraic tradition); Hesed (Mercy) and Gevurah
(Judgment) form the upper outer pillars and represent the emotional principles of fear and love,' believed to be part of.Adam's heart (Adam being considered God's first form on Earth).
Beneath and between
Hesed and Gevurah is Tiferet (Beauty), symbolising the pivotal point at the centre of the Divine realm. Beneath this are Nezah • and Hod, meaning Victory and Glory but also 'repeat or cycle' or to shimmer and vibrate' respectively.
Midway below Nezah and Hod is Yesod (Foundation) and below Yesod is Malkuth (Kingdom). Unlike the other nine sephirot, it is an attribute of God which does not emanate from God directly, rather from God's creation.
Although Malkuth is the lowest Sephirot, it also contains in it the potential to reach the highest, exemplified in the Hermetic maxim: 'As above so below.'
Kether to Malkuth are sometimes compared to the Buddhist concept of Yin and Yang or the Western idea of cause and effect.
There is great significance in the position of these various Sephirots and their links within the tree.
Those lucky enough to have seen David Bowie perform Station To Station in concert will have seen how he always accompanied the line on stage with a hand movement sliding from top to bottom. He clearly knew what he was singing about.
Tracey Ames, Glastonbury, Somerset.
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A
STRIKING FULL MOON TONIGHT AND IT’S PLAYING OUR SONG!
JOURNEY = 108 36 9 36 108 = JOURNEY
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FULL MOON 108-36-9-36-108 MOON FULL
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SEQUENCES 108-36-9-36-108 SEQUENCES
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YOU ARE GOING ON A JOURNEY A VERY SPECIAL JOURNEY DO HAVE A PLEASANT JOURNEY DO
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ATUM 1234 ATUM
1234 ATUM 1234
ATUM 1234 ATUM
HOLY BIBLE
ST JOHN
C21 V 10
JESUS SAITH UNTO THEM BRING OF THE FISH WHICH YE HAVE NOW CAUGHT
V 11
SIMON PETER WENT UP AND DREW THE NET TO LAND FULL OF GREAT FISHES
AN
HUNDRED AND FIFTY AND THREE
AND
FOR ALL THERE WERE SO MANY YET WAS NOT THE NET BROKEN
HALL OF THE GODS
Nigel Appleby
1998
Page 322
"In John 6: 51, Jesus describes himself as 'that living bread which has come down from heaven'. As I explained earlier, the Egyptian hieroglyph for bread is identical in shape to the King's Chamber seal/boss (see figure 66).
We have already noted previously that the Grand Gallery is 153 feet in length. The number 153 has a long Christian tradition associated with the notion of enlightened souls, primarily drawn from the symbolism of 153 fish as outlined towards the end of John's Gospel. Here the disciples are told to cast their nets to the right, which they promptly do - and so catch the said 153 fish. The King's Chamber floor is exactly 153 courses of masonry below the summit platform. Years after reading about the connections of 153 within the Great Pyramid, and biblical passages that outlined the number in relation to fishing and the specific term of casting the nets to the right, I was not surprised to read almost identical symbolism within the Egyptian Book of the Dead.
Pyramid rituals
The basic concept behind the ancient Egyptian initiate trying to get from this world into the next focused upon passing through 4 frontiers of the sky. This required the departed spirit to convince the guardians to grant a free passage, only granted by knowing secret words and names, which, when repeated, were guaranteed to ward off any aggressor or evil apparition. As a consequence, any person daring to venture into the underworld would require magical skills of the very highest order. In ferrying oneself across the 4 frontiers of the sky the services of a ferryman were essential, and the initiate needed to know the correct answers to the ferryman's questions in order to use his boat, which was of course a celestial boat. The knowledge required involved knowing mythology, the gods' names, and the magic of Egypt, as well as possessing mathematical and practical scientific skills. I see in these rituals a memory that the hitherto unknown pre-dynastic priests, from whom the Egyptians obtained their knowledge, were scientists, technologists and perhaps even metaphysicists."
153 feet x 12 inches = 1836
"We have already noted previously that the Grand Gallery is 153 feet in length. The number 153 has a long Christian tradition associated with the notion of enlightened souls, primarily drawn from the symbolism of 153 fish as outlined towards the end of John's Gospel. Here the disciples are told to cast their nets to the right, which they promptly do - and so catch the said 153 fish. The King's Chamber floor is exactly 153 courses of masonry below the summit platform."
THE SUPERGODS
Maurice M Cotterell
1997
Page 118
"Sacrifice at first appears as penance, difficult and tortuous, attracting few followers. In the Hindu holy book, the Bhagava-Geeta, the teacher Lord Krishna supports this view saying:
Hear further the three kinds of pleasure. That which increases day after day and delivers one from misery, which at first seems like poison, but afterwards acts like nectar - that pleasure is pure, for it is born of wisdom. That which is at first like nectar, because the senses revel in their objects, but in the end acts like poison - that pleasure arises from passion. While the pleasure which from first to last merely drugs the senses, which springs from indolence, lethargy and folly - that pleasure flows from ignorance. (BG, 18:36-9)
(BG, 18:36-9)
HARMONIZED
Page number omitted
THE STUDENT'S ASSISTANT
IN
ASTRONOMY AND ASTROLOGY
: CONTAINING
OBSERVATIONS ON THE REAL AND APPARENT MOTIONS OF THE
SUPERIOR PLANET8.-THE GEOCENTRIC LONGITUDE OF THE
SUN AND SUPERIOR PLANETS,
CALCULATED FOR 44 YEARS TO COME.
Geocentric Longitude of the Planet Herschel for 100 years during the 18th Century. The Moon's Node on the first day of
every month, from1836 to 1880. Heliocentric
and Geocentric Longitude of all the
f
PLANETS' ASCENDING AND DESCENDING
NODES
LONGITUDE, LATITUDE, AND MAGNITUDE OF ONE HUNDRED AND
FORTY-FOUR FIXED STARS, FOR PAST AND FUTURE YEARS.
Eclipses of the Sun visible in England.
ALSO
A DISCOURSE ON THE HARMONY OF
PHRENOLOGY, ASTROLOGY, AND PHYSIOGNOMY.
BY J.T. HACKET.
LONDON:
BRAY AND KING, 55, ST. MARTIN'S LANE,
AND E. GRATTAN, 51, PATERNOSTER ROW.
Milton Press J. Nichols, 9, Chandos Street. Strand.
PREFACE
"A work of this kind may not be so amusing to some individuals as a pleasing romance; yet it is hoped will prove to the Astronomical Stu-dent and learner, gratifying and instructive. At the request of a select number of students, the present laborious calculations were made, in order to give others and themselves an opportunity of more perfectly understanding the apparent motions of the superior Planetary bodies herein mentioned, together with an illustration of the various phenomena the above planets present to us, the observers on this Earth, caused by the revolution of the planets and the earth, around the Sun, as the centre and great point of attraction tion to the Solar System. I have given a correct Table of the longitude and latitude of 144 fixed stars, calculated up to1836 ,..."
Page 9 (number omitted)
INTRODUCTION TO ASTRONOMY.
"THIS Introduction is merely intended to con-vey a sufficient idea to those who are not already acquainted with the solar system, the propor-tional distances of the Planets' orbits from the Sun, and the Earth, together with the apparent motions of the superior planets, as viewed from this Earth, called their geocentric places or motions. The path of the Planets or circles which their orbits describe in the heavens, is called the Zodiac. Suppose it a belt 20° wide with the Ecliptic, orbit, or path of the Earth in the centre thereof; in as much as a planet's orbit differs from the exact plane of the Ecliptic, or orbit ,of the Earth, so much is the planet's latitude in degrees and minutes; the points where these imaginary circles intersect the Ecliptic, are cal!ed the nodes: The ascending node is that point which the planet enters / Page 10 / for north latitude, the opposite is the descending node for south latitude. The Zodiac is divided into 12 Constellations, called signs, each sign divided into 30 degrees, each degree into minutes and seconds."
THE TUTANKHAMUN PROPHECIES
Maurice Cotterell 1999
Page 193
" The centre of Solomon's courtyard contained a perfect cube, the 'holy of holies', the solid gold 'Oracle' encrusted in jewels. The inner / Page 194 / temple was a marvel of courtyards and balconies, adorned with 1,453 magnificently sculpted Parisian-marble columns, 2,906 decorated pilasters and statues of stone and metal. The buildings and courtyards could hold an estimated gathering of 300,000.
Anderson's Constitutions of the Freemasons (1723) comments:
. . . the finest structures of Tyre and Sidon could not be compared with the Eternal God's Temple at Jerusalem. . . there were employed 3,600 Princes, or 'Master Masons', to conduct the work according to Solomon's directions, with 80,000 hewers of stone in the mountains ('Fellow Craftsmen'), and 70,000 labourers, in all 153,600, besides the levy under Adoniram to work in the mountains of Lebanon by turns with the Sidonians, viz 30,000 being in all 183,600..."
183,600
"...According to the Biblical account, Chiram returned home following completion of the temple, although according to A. E. Waite (New Encyclopaedia of Freemasonry);
The legend of the Master Builder is the greatest allegory of Masonry. It happens that this figurative story is grounded on the fact of a personality mentioned in Holy Scripture, but this historical background is of the accident and not of the essence; the significance is in the allegory and not in any point of history which may lie behind it."
JUST SIX NUMBERS
Martin Rees 1999
A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "
THE GREAT PYRAMID
ITS
DIVINE MESSAGE
AN ORIGINAL CO-ORDINATION OF HISTORICAL DOCUMENTS AND ARCHEOLOGICAL EVIDENCES
D. Davidson and H. Aldersmith 1925
Page 279
"The resulting length for the Grand Gallery roof is 1836 P an important Pyramid dimension dealt with later."
HARMONIC 288
Bruce Cathie
1977
"(144 is the harmonic of the speed of light) and 6942 is the harmonic reciprocal."
Page 95
"The value that I calculated for length was extremely close to that.of the one published in Davidson and Aldersmith's book, their value being 1836 inches, and my theoretical value 1833,46 geodetic inches."
"A search of my physics books revealed that 1836 was the closest approximation the scientists have calculated to the mass / Page 96 (Diagram 15 omitted) Page 97 / ratio of the positive hydrogen ion, i.e. the proton, to the electron..."
153 x 12 = 1836
1 x 8 x 3 x 6 = 144
HARMONIC 288
Bruce Cathie
1977
"(144 is the harmonic of the speed of light) and 6942 is the harmonic reciprocal."
11 SAGITTARIUS 144 45 9
11 TUTANKHAMUN 144 36 9
11 SERENDIPITY 144 63 9
HARMONIC 288
Bruce Cathie
1977
Page 95
"The value that I calculated for length was extremely close to that.of the one published in Davidson and Aldersmith's book, their value being 1836 inches, and my theoretical value 1833,46 geodetic inches.
A considerable amount of time was required to calculate a satisfactory value for the length of the Gallery. I eventually found that the amount of hollowing-in at the base provided the ,clue. If 57.6 (the amount in inches by which the base is inset) is divided by pi or 3.1415927, the resulting value is 18.334649. The harmonic equivalent of 1833.46 when applied to Gallery length would ensure that the wave-forms set up in the cavity were finely tuned to light frequencies.
A search of my physics books revealed that 1836 was the closest approximation the scientists have calculated to the mass / Page 96 (Diagram 15 omitted) Page 97 / ratio of the positive hydrogen ion, i.e. the proton, to the electron..."
HARMONIC 288
Bruce Cathie
1977
EIGHT
THE ATOMIC TABLE OF ELEMENTS
AS A HARMONIC SERIES
Page 54
"NATURAL LAW IS NOT ERRATIC. The universe does not rely on chance to manifest within itself the physical substance which we perceive, and call reality. A very strict and ordered system of mathematical progressions is necessary to create the smallest speck of matter from the primeval matrix of space.
During my years of research into the complexities of the earth grid system I have gradually built up a picture in my mind of the possible geometric combinations necessary to form matter from resonating, interlocking wave-forms. My limited abilities in the various academic fields have made this task a taxing one at times, but I think I have discovered how to apply the original values, published in my first two books, in a practical mathematical sense, to build up a model which 'demonstrates the harmonic formation of matter.
This model indicates to me that the number of individual elements to be found in the universe will be 144. Each of these elements will have, in theory, six isotopes, which will make up a completed table of separate substances numbering 1008. An isotope is an atom of the same element which has a different nuclear mass and atomic weight.
Mathematically, the progression would create 144 octaves of separate substances giving a theoretical value of 1152. The differen~ between the total number of substances (1008) and the harmonic value in octaves (1152) would be 144, the light harmonic. The table of elements, in octaves, would create a cycle which would be in perfect resonance with the harmonic circumference of every atom from which it is constituted. It will be demonstrated that the harmonic circumference of every atom is 1152 units.
The harmonic values which create the geometric structure of matter can all be derived from the basic harmonic of the speed of light, 144. I have shown in Chapter Four how all the spherical / Page 54 / bodies in the universe are precipitated from space by resonances tuned to the reciprocal harmonic of light (6944). This applies to an atom and to the largest of planetary bodies, as the geometric harmonic diameter of any sized sphere has a constant harmonic affinity with the light reciprocal.
Once the precipitation of physical matter has occurred, the buildup of the substances we know as the elements takes place, according to a very well-ordered mathematical sequence. Light- waves, guided seemingly by superior intelligence, form intricate interlocking grid patterns which graduate from the simple to the more complex, as the elements from hydrogen, at the l°v:'er end of the scale, to element 144, come into being.
When we think of reality we must think of mass in relation to any physical manifestation, and the smallest particle of physical matter that we are aware of is the electron. Therefore, electron mass must be the starting point in our quest for a feasible theory to explain the structure of matter. The physics books give the best experimental value for rest mass of 9.11 x 10-31 kg for the electron, (9.2 x 10-31 in some physics books) and all modern- day calculations for mass and energy have a relationship relative
to this figure. To form the basis for a harmonic series we must , find a mass number for the electron which can be derived directly! from the harmonic of light, 144.
The mathematical analysis I carried out on the Great Pyramid, gave me the first clues upon which to base a unit for electron
mass that would show connecting relationships throughout the atomic scale. The theoretical figure proved to be 9.24184 units.
This was a fairly close approximation to the harmonic equiva-lent of 9.11 found by scientific experiment. A difference of 1.426 per cent.'
To form an atomic structure, the electron mass unit must have some sort of constant mass ratio in relation to the protons which form the nucleus of an atom. Most textbooks give an experi- mental value for this ratio of 1836 units. I found again from my work on the Pyramid that the most likely true value was 1833.464944 units. This turned out to be the theoretical length of the Grand Gallery in geodetic inches, and indicated to me that the Gallery was in fact constructed as a wave guide, tuned to light harmonics."
Page 95
"The value that I calculated for length was extremely close to that of the one published in Davidson and Aldersmith's book their value being1836 inches, and my theoretical value 1833.46 geodetic inches..."
"...A search of my physics books revealed that1836 was the closest approximation the scientists have calculated to the mass / Page 96 (Diagram 15 omitted)Page 97 /ratio of the positive hydrogen ion, i.e. the proton to the electron."
Page 86
"A further interesting comment was found in the preface to the third edition of Davidson and Aldersmith's book on the Great Pyramid. The religious symbolism of the displacement factor (the "hollowing-in" of the sides of the pyramid during construc- tion) was discussed as follows: "This aspect of the structural allegory throws a flood of light upon an element of the scriptural allegory that clearly refers to the completion of 'all the building'
. . . 'unto the measure of the fullness of the stature', required by the design. This concerns the symbolic '144000 . . . redeemed
from among men. . . without fault before the throne of God'
(Rev XIV, 1':'5); 'Living stones' . . . without flaw for the perfect casing."
It is the symbolic 144000 that appears to have great signifi-cance in the ancient writings and it is interesting to note that this particular value has been connected in some way by other researchers to the enigma of the Great Pyramid. Considering that the angular velocity of light value in grid seconds is also 144000, as postulated in other sections of this book, it is obvious to me that the structure is in fact a measure of light, and by applying this value it should be possible to solve the mathematical puzzle which has been handed down to us."
HARMONIC 288
Bruce Cathie
1977
EIGHT
THE MEASURE OF LIGHT
Page
80
"THE OBELISK RISING majestically from the sandswept plain has been visible to man for many centuries. Its massive bulk and geometric simplicity of shape have caused wonder and endless speculation to countless generations of wise men throughout history. The meaning, or reason, for such a structure has been lost and those responsible for the building of an edifice such as this must have been in possession of extremely advanced scientific knowledge. Were they an advanced race of this world who destroyed themselves by unwise manipulation of their own scientific achievement? Or, so-called gods? Or, people from other worlds who left amongst us an almost indestructible repository of advanced knowledge in the mathematical complexities of the universe?
The obelisk I speak of is not the cold, black, forbidding obelisk depicted in Stanley Kubrick's movie 2001, but a pyramid of shining splendour built on a rocky mile-square plateau ten miles west of Cairo, The plateau is known as Giza; the pyramidal structure of an estimated two-and-a-half million blocks of granite and limestone, is the "Great Pyramid of Cheops",
Page 95
"The value that I calculated for length was extremely close to that of the one published in Davidson and Aldersmith's book, their value being1836 inches, and my theoretical value 1833.46 geodetic inches.
A considerable amount of time was required to calculate a satisfactory value for the length of the Gallery. I eventually found that the amount of hollowing-in at the base provided the clue. If 57.6 (the amount in inches by which the base is inset) is I divided by pi or 3.1415927, the resulting value is 18.334649. The harmonic equivalent of 1833.46 when applied to Gallery length would ensure that the wave - forms set up in the cavity were finely tuned to light frequencies.
A search of my physics books revealed that1836 was the closest approximation the scientists have calculated to the mass / Page 96 (Diagram omitted)) / Page 97 / ratio of the positive hydrogen ion, i.e. the proton, to the electron. tf we dare to assume that the value, of 1833.46 is the true geometric ratio then the wave-forms in the Gallery will also have a harmonic affinity with the structure of the atom, the building block of the universe itself. Pressing on with this train of thought I again consulted a book on atomic physics and found that the mass of the electron is given as 9.2 x 10-31 kilo- grammes. I believe that, according to the clues presented by the Pyramid, the true value of electron mass, in the harmonic sense, could be taken as a standard of 9.24184 x 10-31 kilo-grammes."
THE JUPITER EFFECT
John Gribbin and Stephen Plagemann
1977
Page 122
"Seventeen 'major historical earthquakes' are referred to in the report all of which occurred since 1836"
HARMONIC 288
Bruce Cathie
1977
EIGHT
THE MEASURE OF LIGHT
Page 95
"The search for this particular value was a lengthy one and the clue that led me finally to a possible solution was a study of the construction of the Grand Gallery. The height of the Gallery was the first indication that it was not just an elaborate access passage. Previous measurements made by scientific investigators pointed to some interesting possibilities."
Page 95
"The value that I calculated for length was extremely close to that of the one published in Davidson and Aldersmith's book, their value being 1836 inches,"
Page 95/97
"A search of my physics books revealed that 1836 was the closest approximation the scientists have calculated to the mass / ratio of the positive hydrogen ion, i.e. the proton, to the electron."
THE TUTANKHAMUN PROPHECIES
Maurice Cotterell 1999
Page 195
"Anderson's Constitutions of the Freemasons (1723) comments:
. . . the finest structures of Tyre and Sidon could not be compared with the Eternal God's Temple at Jerusalem. . . there were employed 3,600 Princes, or 'Master Masons', to conduct the w,ork according to Solomon's directions, with 80,000 hewers of stone in the mountains ('Fellow Craftsmen'), and 70,000 labourers, in all 153,600, besides the levy under Adoniram to work in the mountains of Lebanon by turns with the Sidonians, viz 30,000 being in all 183,600."
"being in all 183,600."
JUST SIX NUMBERS
The Deep Forces that Shape the Universe
Martin Rees
1
999
OUR COSMIC HABITAT 1 PLANETS STARS AND LIFE
A COMMON CULTURE WITH ALIENS
Page 21
"A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "
Page 21 / 22
"...A manifestly artificial signal- even if it were as boring as lists of prime numbers, or the digits of 'pi' - would imply that 'intelligence' wasn't unique to the Earth and had evolved elsewhere. The nearest potential sites are so far away that signals would take many years in transit. For this reason alone, transmission would be primarily one-way. There would be time to send a measured response, but no scope for quick repartee!
Any remote beings who could communicate with us would have some concepts of mathematics and logic that paralleled our own. And they would also share a knowledge of the basic particles and forces that govern our universe. Their habitat may be very different (and the biosphere even more different) from ours here on Earth; but they, and their planet, would be made of atoms just like those on Earth. For them, as for us, the most important particles would be protons and electrons: one electron orbiting a proton makes a hydrogen atom, and electric currents and radio transmitters involve streams of electrons.A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' able and motivated to transmit radio signals. All the basic forces and natural laws would be the same. Indeed, this uniformity - without which our universe would be a far more baffling place - seems to extend to the remotest galaxies that astronomers can study. (Later chapters in this book will, however, speculate about other 'universes', forever beyond range of our telescopes, where different laws may prevail.)
Clearly, alien beings wouldn't use metres, kilograms or seconds. But we could exchange information about the ratios of two masses (such as thc ratio of proton and electron masses) or of two lengths, which are 'pure numbers' that don't depend on what units are used: the statement that one rod is ten times as long as another is true (or false) whether we measure lengths / in feet or metres or some alien units"
Page 21
"A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence' "
" the number 1,836 would have the same connotations"
"A remarkable use of the number 3168 occurs"
1836
1863
1683
1638
1368
1386
8613
8631
8316
8361
8163
8136
6813
6831
6381
6318
6138
6183
3861
3816
3681
3618
3186
3168
|
KEEPER OF GENESIS
A QUEST FOR THE HIDDEN LEGACY OF MANKIND
Robert Bauval Graham Hancock 1996
Page 254
"...Is there in any sense an interstellar Rosetta Stone?
We believe there is a common language that all technical civilizations, no matter how different, must have.
That common language is science and mathematics.
The laws of Nature are the same everywhere:..."
Freiheit - Keeping The Dream Alive lyrics. From the Original Motion Picture ... In my fantasy I remember their faces The hopes we had were much too high ... www.lyricsmode.com/lyrics/f/freiheit/keeping_the_dream_alive.html
https://www.youtube.com/watch?v=w9aYrHzEW-w
Tonight the rain is falling
Full of memories of people and places
And while the past is calling
In my fantasy I remember their faces
The hopes we had were much too high
Way out of reach but we have to try
The game will never be over
Because we're keeping the dream alive
I hear myself recalling
Things you said to me
The night it all started
And still the rain is falling
Makes me feel the way
I felt when we parted
The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The game will never be over
Because we're keeping the dream alive
I need you
I love you
The game will never be over
Because we're keeping the dream alive
The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The game will never be over
Because we're keeping the dream alive
The game will never be over
Because we're keeping the dream alive
The game will never be over
Mmm mmm mmm mmm mmm mmm mmm mmm mmm.
1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
3 |
- |
T |
= |
2 |
- |
5 |
|
56 |
29 |
2 |
6 |
- |
S |
= |
1 |
- |
3 |
|
52 |
16 |
7 |
18 |
|
- |
- |
14 |
- |
16 |
Add |
|
|
|
1+8 |
|
- |
|
1+4 |
|
1+6 |
Reduce |
1+9+1 |
9+2 |
2+0 |
9 |
- |
- |
|
|
|
|
Deduce |
|
|
|
- |
|
- |
|
- |
|
|
Produce |
1+1 |
1+1 |
- |
9 |
- |
- |
- |
5 |
- |
7 |
Essence |
|
|
|
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
P |
= |
7 |
- |
6 |
PROTON |
98 |
35 |
8 |
I |
= |
9 |
- |
3 |
IS |
28 |
10 |
1 |
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
5 |
TIMES |
66 |
21 |
3 |
H |
= |
8 |
- |
7 |
HEAVIER |
68 |
41 |
5 |
T |
= |
2 |
- |
4 |
THAN |
43 |
16 |
7 |
A |
= |
1 |
- |
2 |
AN |
15 |
6 |
6 |
E |
= |
5 |
- |
8 |
ELECTRON |
92 |
38 |
2 |
- |
- |
35 |
|
36 |
First Total |
|
|
|
- |
- |
3+5 |
- |
3+6 |
Add to Reduce |
4+1+1 |
1+6+8 |
3+3 |
- |
- |
|
- |
|
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
- |
1+5 |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
N |
= |
5 |
- |
6 |
NUMBER |
73 |
28 |
1 |
|
|
|
|
|
|
|
|
|
W |
= |
5 |
- |
5 |
WOULD |
75 |
21 |
3 |
H |
= |
8 |
- |
4 |
HAVE |
36 |
18 |
9 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
4 |
SAME |
38 |
11 |
2 |
C |
= |
3 |
- |
12 |
CONNOTATIONS |
159 |
51 |
6 |
T |
= |
2 |
- |
2 |
TO |
35 |
8 |
8 |
A |
= |
1 |
- |
3 |
ANY |
40 |
13 |
4 |
I |
= |
9 |
- |
12 |
INTELLIGENCE |
115 |
61 |
7 |
- |
- |
39 |
|
57 |
First Total |
|
|
|
- |
- |
3+9 |
- |
5+7 |
Add to Reduce |
6+5+6 |
2+6+2 |
5+3 |
- |
- |
|
- |
|
Second Total |
|
|
|
- |
- |
1+2 |
- |
1+2 |
Reduce to Deduce |
1+7 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
P |
= |
7 |
- |
6 |
PROTON |
98 |
35 |
8 |
I |
= |
9 |
- |
3 |
IS |
28 |
10 |
1 |
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
5 |
TIMES |
66 |
21 |
3 |
H |
= |
8 |
- |
7 |
HEAVIER |
68 |
41 |
5 |
T |
= |
2 |
- |
4 |
THAN |
43 |
16 |
7 |
A |
= |
1 |
- |
2 |
AN |
15 |
6 |
6 |
E |
= |
5 |
- |
8 |
ELECTRON |
92 |
38 |
2 |
- |
- |
35 |
|
36 |
|
|
|
|
|
|
|
|
|
|
|
|
|
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
N |
= |
5 |
- |
6 |
NUMBER |
73 |
28 |
1 |
|
|
|
|
|
|
|
|
|
W |
= |
5 |
- |
5 |
WOULD |
75 |
21 |
3 |
H |
= |
8 |
- |
4 |
HAVE |
36 |
18 |
9 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
4 |
SAME |
38 |
11 |
2 |
C |
= |
3 |
- |
12 |
CONNOTATIONS |
159 |
51 |
6 |
T |
= |
2 |
- |
2 |
TO |
35 |
8 |
8 |
A |
= |
1 |
- |
3 |
ANY |
40 |
13 |
4 |
I |
= |
9 |
- |
12 |
INTELLIGENCE |
115 |
61 |
7 |
- |
- |
39 |
|
57 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
74 |
|
167 |
First Total |
|
|
|
- |
- |
7+4 |
- |
1+6+7 |
Add to Reduce |
1+0+6+7 |
4+1+9 |
8+6 |
- |
- |
|
- |
|
Second Total |
|
|
|
- |
- |
1+1 |
- |
1+4 |
Reduce to Deduce |
1+4 |
1+4 |
1+4 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
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FRATERNAL GREETINGS OF PEACE LOVE AND LIGHT UNTO ALL SENTIENT BEINGS
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YOU ARE GOING ON A JOURNEY A VERY SPECIAL JOURNEY DO HAVE A PLEASANT JOURNEY DO